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TikTok's New Policies Remove Promise To Notify Users Before Government Data Disclosure

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TikTok changed its policies earlier this year on sharing user data with governments as the company negotiated with the Trump Administration to continue operating in the United States. The company added language allowing data sharing with "regulatory authorities, where relevant" beyond law enforcement. Until April 25, 2025, TikTok's website stated the company would notify users before disclosing their data to law enforcement. The policy now says TikTok will inform users only where required by law and changed the timing from before disclosure to if disclosure occurs. The company also softened its language from stating it "rejects data requests from law enforcement authorities" to saying it "may reject" such requests. TikTok declined to answer repeated questions from Forbes about whether it has shared or is sharing private user information with the Department of Homeland Security or Immigration and Customs Enforcement. The timing difference prevents users from challenging subpoenas before their data is handed over.

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InShaneee
10 hours ago
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Spotify stands by ICE recruitment ads despite artist backlash

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The tech world has made its allegiance to Donald Trump and to the U.S. Immigration and Customs Enforcement agency clear. So it’s not a surprise that Spotify is running recruitment ads for ICE—after all, so are YouTube, HBO, Hulu, Pandora, and more. What might make Spotify different, though, is that artists and labels can choose whether or not they want their work to be situated alongside those kinds of advertisements. According to Stereogum, sister labels Epitaph and ANTI- have posted messages calling for Spotify to stop running the ads, as has the band Thursday.

“Artists and fans deserve platforms that reflect the values of the culture they sustain,” Epitaph’s message on social media reads. Thursday invited fans to join the collective call to have the ads expunged. But a spokesperson for Spotify told The Independent that the ads—which encourage listeners to “join the mission to protect America” and “fulfill your mission” by applying to become an ICE agent—do not violate Spotify’s advertising policies. (Apparently, the policy against “Dangerous Products and Services” doesn’t apply to a job that involves harassing and kidnapping innocent people.) The spokesperson said that the commercials are “part of a broad campaign the US government is running across television, streaming, and online channels” and that if someone doesn’t like an ad, they can “thumbs down” react to manage their own preferences.

This latest Spotify backlash comes after a growing movement of artists and labels boycotting the platform over founder Daniel Ek’s investment in German military AI company Helsing. Groups like Deerhoof, Sylvan Esso, Massive Attack, King Gizzard and the Lizard Wizard and more have removed their music (or requested to have their music removed) over the issue. A separate movement, No Music For Genocide, has called for geo-blocking music in Israel. The ICE recruitment ads bring Spotify’s political backlash stateside, which could lead to a larger reckoning for the platform within the music industry. 

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InShaneee
11 hours ago
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Penske reportedly invites right-wing podcasters to pay fat bribe to improve Golden Globes chances

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The Golden Globes has never had a particularly good reputation to begin with, and then it was bought by Penske Media in 2023. The same company that spearheads awards season media coverage (with outlets including Rolling Stone, Billboard, Variety, The Hollywood Reporter, and Deadline) now also owns one of the awards itself. Already an ethically dubious situation, Penske is now reportedly offering what sounds like a pay-to-play scheme to the right-wing podcasters eligible for its “Best Podcast” trophy. Apparently, adding podcasting to the Globes wasn’t just a cringe-worthy idea to get more viewers to tune in, but also an opportunity to get more schmucks to pay for “For Your Consideration” ads.

According to Oliver Darcy of Status News, Penske has sent out marketing packages to finalists offering prime real estate in its media brands to, presumably, impress voters. $75,000 can buy you a “‘Variety Creative Impact Award’ and a feature story across Variety’s magazine, website, and social channels” plus “an onstage award presentation at a PMC event and a ‘custom 15-minute Variety-moderated conversation” blasted across the outlet’s socials. A $25,000 package “buys a panel appearance on a Variety-moderated discussion and digital promotion afterward.” $35,000 gets you “a solo interview and multiple rounds of social amplification.”

The Globes have had a long and murky history with pay-to-play schemes (and other questionable values), so this scheme may seem par for the course. But what’s particularly galling, in this case, are the individuals eligible to “play.” When sharing its podcasting shortlist, the Globes boasted a group that “reflects the incredible depth, diversity and creativity thriving in the podcasting world today.” By that, they meant you’ve got one side with Hollywood liberals like Amy Poehler and the guys from SmartLess, and on the other side you’ve got the right-wing podcasting ecosystem with Joe Rogan, Theo Von, Megyn Kelly, and Ben Shapiro. Penske is not the first to boost these guys for personal profit, but this sounds like one of the most transparent examples yet.



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InShaneee
11 hours ago
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Great Job, Internet!: Learn how to identify AI videos with Jeremy Carrasco

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AI has advanced to a place where we can no longer rely on people having weird numbers of fingers or unhinging their jaws in horrifying ways to distinguish a real video from a fake one. For every obviously artificial clip of Donald Trump dousing protesters in shit, there’s relatively innocuous videos of an unwanted animal in a family’s yard or two people having a meet-cute on the subway that trip more people up. But there’s someone out there who can help. If you ever find yourself wondering whether you just got got by a clip of someone falling off of Mount Everest or a cat freaking out in a bathtub, just check out Jeremy Carrasco’s Instagram page

Carrasco has become one of the internet’s preeminent AI video spotters. Having worked for a long time in the media industry as both a director and technical producer, Carrasco told The A.V. Club that he started picking out AI videos because he “knew what a huge range of typical ‘traditional’ errors looked like, and the AI ones stuck out to me as unique.” Eventually, he said, he developed an eye and language for it.

On his Instagram page, Carrasco uses those skills to talk through all the granular reasons he can tell viral videos are (or aren’t) AI. For a video about a possum stealing Halloween candy, for example, he directs his audience to look for evidence that a watermark from OpenAI’s Sora video generator had been removed, as well as a number of other tells including magically appearing candy and the fact that the possum looks away from a scary Halloween decoration when it gets startled because “AI mixes up directions.”

Carrasco sent The A.V. Club five general tips for spotting AI generated videos:

1. Watermarks: The Sora app lets users generate Sora 2 AI videos for free, but there is a watermark on top. Since this is so popular, you will still see watermarks on many AI videos. However, there are watermark removers, which leave a blemish on the video on the top or sides. Most AI videos don’t have a watermark at all—Sora is the exception.

2. Formats with blurry cameras: Since Sora 2 has a noisy or staticky image, most of the viral videos using Sora 2 so far are from AI versions of security cameras, Ring doorbell cameras, police body cameras, or even action cameras. People have more tolerance for noisy images in these formats. This was also the case for Google Veo videos—think of the trampoline AI videos!

3. Check video source: Many AI videos stretch reality, rage bait you, or are very bizarre. Meta-analyzing videos is becoming more important. Why does this video exist? What does the creator want me to feel? Then check their page. You’re looking for reliable and consistent content from a page that has frequent characters, or verified creators or news organizations. Be wary of repost accounts or accounts with the same format over and over; many AI creators find one viral format and repeat it with slight modifications.

4. Look for typical tells: Background issues like blurry or smudgy objects, poor spatial reasoning, and very noisy or wobbly textures. Look directly into the eyes of human subjects—does it look real or does it feel uncanny? While hands and limbs are mostly sorted and you’re unlikely to see 6 fingers, just look around to see what feels off. AI videos are often too well lit for the scenario and have a smooth look, but this is changing too.

5. Learn with the obvious ones: I point out AI videos of animals or harmless videos because it can train your brain to see subconscious tells. For example, while a video frame rate and blurry image can be difficult for the average person to explain, there are subconscious tells that become apparent after watching enough. This can prepare you for if and when more misleading or harmful videos use AI.

Carrasco still has faith that “most people don’t want to watch AI generated videos, especially when they feel like they’re being tricked.” “The general population seems to understand it’s not good for their feeds and want to keep a grip on reality,” he continued. “Short-term, the increasing quality of AI videos has made people lose confidence in their ability to figure out what’s real, which can lead to cynicism and detachment. Long-term, this projects out to disinformation and distrust. While it may seem like a stretch to go from AI bunnies to political deepfakes, the slow normalization of deepfakes from Sora and synthetic media in general is pushing us further from what was good about the internet in the first place.” Carrasco can be found on Instagram and YouTube under the username @showtoolsai.



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InShaneee
1 day ago
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The Sims Mobile is Shutting Down Next Year

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The Sims is in a period of transition -- and as part of that, the ongoing mobile version will be shutting down in a few months. From a report: EA announced that today's update for The Sims Mobile will be its last, and that on January 20th, 2026 the game "will no longer be accessible to play and will be sunset." The mobile iteration of the franchise first launched in 2018, and has seen more than 50 updates since then. EA says that starting today players will no longer be able to spend real money in the game, and that it will be delisted on both iOS and Android tomorrow before the servers shut down completely next year, making it entirely unplayable.

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InShaneee
1 day ago
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AWS Outage Takes Thousands of Websites Offline for Three Hours

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AWS experienced a three-hour outage early Monday morning that disrupted thousands of websites and applications across the globe. The cloud computing provider reported DNS problems with DynamoDB in its US-EAST-1 region in northern Virginia starting at 12:11 a.m. Pacific time. Over 4 million users reported issues, according to Downdetector. Snapchat saw reports spike from more than 22,000 to around 4,000 as systems recovered. Roblox dropped from over 12,600 complaints to fewer than 500. Reddit and the financial platform Chime remained affected longer. Perplexity, Coinbase and Robinhood attributed their platform disruptions directly to AWS. Gaming platforms including Fortnite, Clash Royale and Clash of Clans went offline. Signal confirmed the messaging app was down. In Britain, Lloyd Bank, Bank of Scotland, Vodafone, BT, and the HMRC website faced problems. United Airlines reported disrupted access to its app and website overnight. Some internal systems were temporarily affected. Delta experienced a small number of minor flight delays. By 3:35 a.m. Pacific time, AWS said the issue had been fully mitigated. Most service operations were succeeding normally though some requests faced throttling during final resolution. AWS holds roughly one-third of the cloud infrastructure market ahead of Microsoft and Google.

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InShaneee
1 day ago
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