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With Ring, American Consumers Built a Surveillance Dragnet

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With Ring, American Consumers Built a Surveillance Dragnet

America, it’s time to refamiliarize yourself with Ring. 

At Sunday’s Super Bowl, Ring advertised “Search Party,” a cute, horrifyingly dystopian feature nominally designed to turn all of the Ring cameras in a neighborhood into a dragnet that uses AI to look for a lost dog: “One post of a dog’s photo in the Ring app starts outdoor cameras looking for a match,” Ring founder Jamie Siminoff said in the Super Bowl commercial. “Search Party from Ring uses AI to help families find lost dogs.” Onscreen, an AI-powered box forms around a missing dog: “Milo Match,” it says. “Since launch, more than a dog a day has been reunited with their family. Be a hero in your neighborhood with Search Party. Available to everyone for free right now.”

It does not take an imagination of any sort to envision this being tweaked to work against suspected criminals, undocumented immigrants, or others deemed ‘suspicious’ by people in the neighborhood. Many of these use cases are how Ring has been used by people on its dystopian “Neighbors” app for years. Ring rose to prominence as a piece of package theft prevention tech owned by Amazon and by forming partnerships with local police around the country, asking them to shill their doorbell cameras to people in their neighborhoods in return for a system that allowed police to request footage from individual users without a warrant. 

Chris Gilliard, a privacy expert and author of the upcoming book Luxury Surveillance, told 404 Media these features and its Super Bowl ad are “a clumsy attempt by Ring to put a cuddly face on a rather dystopian reality: widespread networked surveillance by a company that has cozy relationships with law enforcement and other equally invasive surveillance companies.”

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Do you know anything else about Ring? I would love to hear from you. Using a non-work device, you can message me securely on Signal at jason.404. Otherwise, send me an email at jason@404media.co.

Unlike, say, data analytics giant Palantir or some other high-profile surveillance companies, Ring is a surveillance network that homeowners have by and large deployed themselves, powered by fear mongering against our neighbors and unfettered consumerism.

After a lot of criticism in the late 2010s over its police contracts and its terrible security settings that resulted in hackers breaking into a series of indoor Ring cameras to terrorize children and families, Ring somehow found a way to more or less fly under the radar the last few years as a critical part of our ever-expanding surveillance state. It did this by scaling back police partnerships that were so critical to its growth but that received lots of scrutiny from journalists and privacy advocates. Siminoff left Ring in 2023, but returned last year; in his absence, Ring explicitly sought to take on a softer tone by branding itself as more or less as a device that could be used to film viral moments on people’s porches. It turned its owners into mini cops who would complain about delivery people who didn’t drop a package in the correct spot; who became hyperaware of the comings and goings of their friends, spouses, and children, or who might catch a potentially sharable moment when someone slipped on an icy porch or whatever. Part of this strategy included creating a short-lived reality TV show called Ring Nation, which consisted of precious little moments filmed through Ring cameras.

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InShaneee
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How I Built the Star Trek control panel of my dreams

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a man in a futuristic uniform looks at a wall-bound tablet with colorful buttons
Captain Jean-Luc Picard (Patrick Stewart) using the LCARS in Star Trek: The Next Generation. | CBS via Getty Images

One of my pandemic hobbies that stuck was home automation. I discovered Home Assistant - the popular open source, extremely customizable home automation platform - and all the intricate things you can do with it to make your home work better.

I have ADHD and have found Home Assistant to be a valuable tool for managing executive dysfunction. I use it for audible calendar reminders, laundry reminders, timers, and monitoring my doorbell camera and my nanny cam for my dog. Its also a great source of pure nerdy joy for me. And I recently took the most joyously nerdy step yet in my home automation fixation.

Home Assistant lets you create custom …

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InShaneee
2 days ago
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Amazon's Tax Bill Plunges 87% After Tax Cuts

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An anonymous reader shares a report: Republicans' tax cuts shaved billions off Amazon's tax bill, new government filings show. The company says it ran a $1.2 billion tax bill last year, down from $9 billion the previous year, and even as its profits jumped by 45% to nearly $90 billion. That's largely because of the generous new depreciation breaks GOP lawmakers included in their One Big Beautiful Bill, something that's particularly important to Amazon which -- in addition to maintaining a vast infrastructure for its ubiquitous delivery business -- has been spending billions to build out artificial intelligence data centers. Also helping, though less important: The law's expanded breaks for businesses research and development expenses. The company has long been criticized by Democrats for paying little in tax, and it appeared to be bracing for criticism in the wake of the report to the Securities and Exchange Commission.

Read more of this story at Slashdot.

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3 days ago
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Markiplier hits the big screen with his satisfying DIY submarine horror Iron Lung

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The most impressive thing about Iron Lung, the claustrophobic then ultimately cosmic horror cheapie directed by, written, and starring YouTube personality Mark Fischbach (AKA Markiplier), is that it takes a while to fall apart. Fischbach’s self-funded film notably expands on its source material, David Szymanski’s well-liked indie horror video game of the same name, and adds a series of tortured narrative convolutions to its main character’s already harrowing underwater mission. As a performer, Fischbach’s frantic performance can sometimes be distractingly monotonous, but as a filmmaker, he has an impressive eye not only for compositional details, but also for how his images cut and flow together.

Trapped in an experimental submarine with no external visibility beyond black, white, and grey x-ray-style camera images, Fischbach’s desperate protagonist mostly struggles to navigate his deceptively confined space. His grip on reality gives way faster than the integrity of the ship’s hull though, so he eventually starts to look inward, which shifts Iron Lung‘s focus away from nerve-wracking B-movie peril and towards a more character-driven sort of psychological horror. Thankfully, by this point in the movie, Fischbach’s already paved the way for his adaptation’s inevitably chaotic, but potently upsetting finale.

For a while, Fischbach presents Iron Lung‘s single location like a nautical-horror-themed escape room as his character, the stressed-out prisoner Simon, explores the titular sub. An imposing narrator hints at a post-apocalyptic backstory involving a cataclysmic global event called The Quiet Rapture, which mysteriously leaves a sliver of humanity to fight for survival with precious few resources. Simon’s mission begins as a vaguely defined resource/data-collection mission, but soon becomes a solo fight for survival after he loses contact with Ava (Caroline Rose Kaplan), the impatient radio dispatcher who gives Simon his orders through a tinny speaker. Before then, Simon has to make do with limited resources and even less contextualizing information. 

To his credit, Fischbach carefully threads the needle for Simon’s later collapse through a more introverted story about penance, and a pre-dive incident that not only led to his imprisonment, but also his spiritual and physical breakdown. That’s sometimes hard to appreciate as Iron Lung plays out, since Simon’s dialogue mostly consists of frantic questions and declarative protests (and sometimes both), like “How many times are you gonna use me before you let me go?” and, “Why is it so fucking hot down here?”

More convincing is Fischbach’s attention to fetishistic detail, like his extreme close-ups of blood-red condensation as it sizzles and beads before falling from a leaky overhead pipe or the blown-out audio quality on the sub’s radio speaker. Fischbach subtly develops his audience surrogate character on this foundation of tactile, analog-horror-friendly touchstones. You never have to wait too long for Fischbach to find new and compelling ways to reframe his character as a roaming plot device, who spends most of his time searching for the next hidden fixture or flickering light to futz with. It’s easy to imagine an even more intimately scaled B-movie where Fischbach just explores the main cabin, making important discoveries about his mission and how he can survive as he goes. But the time Fischbach devotes to letting Simon root around his ship effectively hooks viewers for what could have otherwise been a one-trick genre exercise. As it is, Iron Lung is distinguished by the same creative ambitions that ultimately make its ending seem like a watery solution after such an airtight setup.

This type of story has to have a big sweaty gear shift to be anything more than a cool concept in search of an idea, and with its trippy, body-horror-meets-Lovecraft conclusion, Fischbach swings for the fences in a way that feels both necessary and reckless. The film is an undeniable breakthrough for the filmmaker, even if he’s got both too much chutzpah and too little experience to stick such a tough landing. Iron Lung‘s not a flawless debut, but it has a bright future as a cult classic.

Director: Mark Fischbach
Writer: Mark Fischbach
Starring: Mark Fischbach, Caroline Rose Kaplan, Troy Baker, Elsie Lovelock, Elle LaMont, Seán McLoughlin, Isaac McKee
Release Date: January 30, 2026



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InShaneee
5 days ago
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Israel strikes Gaza, killing 19, mostly women and children, after saying Hamas violated deal

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Palestinians mourn over the dead who were killed in an Israeli military strike, at Shifa Hospital in Gaza City, Wednesday, Feb. 4, 2026.

They are the latest Palestinians in Gaza to die since a ceasefire deal, which has been punctuated by deadly Israeli strikes, came into effect on Oct. 10, 2025.

(Image credit: Jehad Alshrafi)

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InShaneee
6 days ago
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RiffTrax crew returns to the Satellite of Love for new episodes of Mystery Science Theater 3000

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We think we’ve found the cure for the Deep Hurting that’s plaguing society. Announced earlier today, the RiffTrax crew will be returning to the Satellite of Love for four brand-new episodes of Mystery Science Theater 3000. Mystery Science Theater 3000: The RiffTrax Experiments will celebrate RiffTrax’s 20 years of movie mockery by bringing Mike Nelson, Bill Corbett, and Kevin Murphy back to where their journey began, aboard a spaceship where they’re forced to watch schlock until they go insane. This also means the return of the original voices of Tom Servo and Crow, with Corbett and Murphy shoving their hands up the butts of their beloved plastic bots and controlling their characters once again.

Since the show ended in 1999, Mystery Science Theater split into various movie-commentary groups, including Cinematic Titanic, RiffTrax, and MST3K. RiffTrax launched in 2006, releasing movie commentary tracks as digital downloads, and MST3K returned on Netflix in 2017 for a few seasons before launching its own platform, the Gizmoplex, in 2021. Earlier this year, show creator Joel Hodgson sold the property to Radial Entertainment, the company formed by the merger of Shout! Studios and FilmRise. It had previously been owned by Hodgson and Shout! since 2015. “Creating your own comedic art form like MST3K is deeply fulfilling and fun—but that doesn’t mean I’m required to work on it every day for the rest of my life,” Hodgson said of the sale. “This move feels like the best way to encourage MST3K to find its future, while I find mine, including the chance to focus on some new and different projects with fewer moving parts.” Unfortunately, all this good news means there will be no RiffTrax live shows this year. Fans will have to settle for one of the new MST3K episodes landing in theaters as a Fathom Event later this year.

Like many MST3K projects before it, this one will be crowdfunded. The crew launched a Kickstarter for the new episodes, which they plan to produce in Minnesota this year for a 2026 release. For more information on rewards, contributing, and updates, visit Kickstarter.



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