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The National Park Service (NPS), the agency tasked with managing the U.S. national parks and monuments, has purchased Flock cameras and had them installed at parks including in Yosemite.
Current and former NPS rangers are not happy about it.
“Flock protects property, not people or parks. People should be free to recreate in ways that are respectful to the ecosystem — but the surveillance is a disrespectful invasion of privacy,” a current NPS ranger told 404 Media. 404 Media granted the ranger and others anonymity because they weren’t permitted to speak to the press.
Another current NPS ranger said, “I just think that every American should be free to visit our national parks without their location being traced and tracked by the federal government. Wild places are at the core of American freedom and nobody should be afraid to visit them.”
A former NPS ranger added, “I think if the public knew that their public lands were being surveilled, they would push back.”
Flock cameras constantly scan the license plate, color, model, make, and other identifying features of every vehicle that drives past, creating a timestamped record of where a vehicle was at a particular time, and by extension, a person. This data is then available to Flock’s law enforcement customers and is usually queried by police without a warrant. Many of Flock’s cameras are part of a national network that other law enforcement officials can then query. For example, a cop in Texas might query the network to look for a specific vehicle and search cameras across the country. This, among increased reporting of cops abusing their access to Flock to stalk people with no legitimate investigative purpose, and local cops performing lookups for ICE, has contributed to a nationwide conversation around Flock and whether communities want the company’s cameras in their neighborhoods.
Flock cameras are installed inside Yosemite, WBTW News 13 reported earlier this month. The outlet referenced data from DeFlock, an open source map of Flock and other automatic license plate reader (ALPR) locations.
There is also a Flock camera on a road towards the Golden Gate National Recreation Area, according to the data.
NPS also plans to install cameras from Verkada, a controversial company with a history of abusing its own products and whose products sometimes have facial detection capabilities, according to an internal NPS document viewed by 404 Media.
The NPS told 404 Media in a statement: “Yosemite National Park uses a traffic-monitoring system to measure vehicle counts, travel times and entrance-station wait times. The system helps the park better understand traffic conditions and provide visitors with information to help them make informed decisions about when to visit and where parking is available. The cameras are not connected to law enforcement or DMV databases.”
One of the current rangers said, “Last year Yosemite changed the rules about hanging flags on El Capitan and tried to backdate the rule change to make it look like the people involved had committed a crime. What happens when that sort of malfeasance is combined with the ability to track any park visitor's location, anywhere in the country? If that happens, we are no longer free in this country.”
They added, “I fear for the day when a visitor's National Park experience is interrupted by being pulled over and held at gunpoint because a license plate reader misread their plate.”

Amazon is buying massive quantities of books, scanning them for AI training data, and destroying them in the process.
A 404 Media investigation was able to reveal Amazon’s book buying operation, which hasn’t been previously reported, by placing a tracking device in a rare book we suspected would be acquired by an AI company for training data, and following it around the country to its final destination.
That final destination was an Amazon warehouse in Las Vegas, Nevada. Amazon employees who work at this location say all they do is receive massive shipments of printed books which they then cut the bindings off in order to scan the books more quickly. The printed book is destroyed in the process. The logo of the Amazon team that works at this warehouse, called VGT3, is a dinosaur, brandishing its teeth and with a book in its hands.
Twitch is going to train Amazon’s AI models on streamers’ content unless they deliberately go into their settings and opt out, potentially sweeping up a wealth of streamers who either don’t hear about the announcement or follow steps stop it.
On Wednesday Twitch announced a new setting that lets streamers opt-out of the training. The announcement confirms rumors that have percolated over the last week: It is using streamers to train Amazon’s AI models.
The new toggle says, "Allow your channel content to train generative AI content models at Amazon." All users are opted in by default. It's located at the bottom of users' security settings page.
"If you opt-out and decide to not allow your channel content to train Generative AI content models, your streams, VODs, clips, stream chats, and pictures and text on your channel will not be used in future training of a model developed by Amazon whose purpose is to generate or synthesize text, audio, images, or video," Twitch, which is owned by Amazon, says in its new FAQ section about generative AI.
"Opting-out of training generative AI content models does not opt you out of all AI or machine learning uses at Twitch," Twitch's support page says. "For example, Twitch will still run AutoMod, which helps keep our community safe, but does not retain your data and use it to produce content. Twitch may also still use your data to run AI-supported features, like captions, which automatically generate captions for your Clips but does not retain your stream or your clips to train a model that can generate new content."
Twitch is positioning this setting as a favor to users. "We've added a setting that lets you opt out of having your channel content used to train generative AI content models across Amazon," the platform posted on X Wednesday. In practice, Twitch makes this choice for users unless they know about the new setting and proactively turn it off. This was the case on my own Twitch account, and users on social media are reporting the same.
Twitch executives have been talking about using streamers' content to train AI for years. In 2024, Twitch Chief Monetization Officer Mike Minton said Twitch has a “role to play” in training Amazon's generative AI models, adding that Twitch content was already being used “in a prototyping, not in any kind of production scale, capacity.”
Amazon did not immediately respond to a request for comment. Twitch's publicly available press email repeatedly bounced.

If a real court case faced as many delays and as much public scrutiny as Coyote Vs. Acme, any rational judge would call for a mistrial and scrap the whole thing. Thankfully, the world of film is a little more forgiving, even when a Looney Tunes comedy has been kicked around as much as this one. Famously completed, then shelved by Warner Bros. for a tax break, then sold to another company in order to finally see the light of day, Coyote Vs. Acme is fittingly about corporate malpractice, filled with whistleblowers, fine print, and weaselly suits. It’s a Looney Dark Waters, both winningly silly and slyly intelligent about what winning really means, all wrapped into a referential live-action Tune world not unlike our own.
Speedrunning through Wile E. Coyote’s endless, ill-fated, Acme-financing attempts to catch the Road Runner—culminating in the poor animal being bombed by the U.S. military like he was some kind of fisherman—Coyote Vs. Acme quickly builds its case of corporate malfeasance. After hitting all the classic schemes, including “flashback” footage from the duo’s Chuck Jones heyday (which is a little unflattering considering the way the animation looks here), Wile finally hits his limit. Retreating back to his cave, he catches a commercial for ambulance-chaser Kevin Avery (Will Forte, maybe the best he’s been since Nebraska), the pathetic personal injury attorney specializing in cartoon clients.
It’s like they were built in a lab for each other, specifically a lab staffed by far more competent employees than those found at Acme. Even Kevin’s mop of hair and scraggly beard match Wile’s mangy desperation. He and his ragtag legal team—dead-eyed partners Jones (Martha Kelly) and Maltese (Tone Bell), and his not-yet-dead-eyed assistant/niece Paige (Lana Condor)—cobble crappy careers together pursuing three-figure sums for their variously pancaked, blown-up, and mummy-bandaged clientele.
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