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Watch Footage of the Flock Search a Judge Ruled Unconstitutional

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Watch Footage of the Flock Search a Judge Ruled Unconstitutional

Body camera footage obtained by 404 Media reveals the first Flock camera searches ruled unconstitutional by a federal judge, and highlights how the system has turned otherwise mundane traffic stops into interrogations for drivers.

On Friday, we reported that a federal judge ruled the use of license plate reader systems in the arrest of a woman named Melissa Kyle to be an “unconstitutional warrantless search,” “indiscriminate mass surveillance,” and a violation of the driver’s Fourth Amendment rights. The judge in that case ruled that, even though Kyle had more than 91 pounds of meth in her vehicle, the police had no justifiable reason to search Flock for her license plate and no reason to suspect that her travel as shown on Flock’s system was suspicious. Therefore, all of the evidence from Flock and the search of her vehicle must be thrown out.

The body camera and in-vehicle footage, alongside records from Flock and the Motorola ALPR system obtained by 404 Media shows how the use of license plate reader systems is being used to create probable cause where a person’s driving patterns are suspicious enough to pull them over.

404 Media obtained the footage with the help of one of our readers, who agreed to go to the U.S. District courthouse in Tulsa and purchase it from the clerk; the court did not make the footage available online even though it was entered as evidence in the case.

In the footage, which is from Tulsa County deputy sheriff Freddie Alaniz’s body camera, Alaniz is seen driving 60 miles per hour, one hand on the steering wheel, one hand on his laptop, searching Flock before he had even fully pulled over Alaniz. Alaniz had seen the car Kyle was driving had California license plates, and decided to pull it over for no reason other than it was from California, the court determined. The video shows that Alaniz told his colleagues that he was sitting on the highway and “saw her go by, and I just started running her info on Flock and Vigilant [Motorola’s ALPR system].”

“She actually didn’t have any [Flock] hits until just west of Amarillo, [Texas], so I thought I’d drive up,” he said, suggesting that he thought it was odd she was driving back from California. “I got her for a lane violation.” 

In the footage, Alaniz tells Kyle he pulled her over ostensibly for changing lanes without a turn signal. Kyle tells Alaniz that the car is a rental, and he asks her to step out of the vehicle and get into his car while she looks up the rental information. While she is looking up the rental information, he tells her she is only going to get a warning, but proceeds to interrogate her about the travel while going through the car’s driving history on his in-car laptop.  

Body camera footage obtained from the court

In-car footage obtained from the court

Kyle told Alaniz she had been visiting family in California from Missouri for a few days after separating from her husband. As she’s telling him this, Alaniz scrolls through a record of her travel history on his in-car laptop, which documents every time the car passed a Flock or Motorola automated license plate reader camera over the last 30 days. Visible on the screen, there are a total of 79 hits, and roughly 50 during the few-day period Kyle was renting it. The ALPR hits show the car leaving Missouri, driving through Oklahoma, Texas, New Mexico, Arizona, and entering California when she passed a Motorola ALPR camera in Topock, Arizona, on the border with California. They then show her essentially reversing the route, and driving back through Oklahoma. (Alaniz did not have access to ALPR hits from California; this may be because Flock drastically limited nationwide sharing from California ALPR cameras following illegal searches for immigration violators and a woman who had an abortion.)

Alaniz asks Kyle where she’s been and where she stayed, and compares it to the license plate camera records. He begins quizzing her: “Do you remember what day you left Missouri?,” he asks. 

Alaniz clicks different ALPR hits on his map, each bringing up a photo of her car, a geographic location, and a timestamp of when she drove by the camera. The government’s lawyers later argued in court that minor discrepancies between what Kyle told Alaniz and what the ALPR data showed meant she was lying about where she’d been on which specific days and therefore gave Alaniz probable cause to search her vehicle. 

Alaniz tells Kyle that he is giving her a warning for changing lanes without a turn signal, closes his laptop, then says he wants to ask her a few questions.

“Your short trip to California, I feel like. I don’t feel, I know from my training and my experience that people who do very short trips to California and come right back are transporting large amounts of drugs,” he says. “People who do that—not everybody, but some people do. With my training and experience, I feel that may be something going on here. May I search your car?”

She says no. Alaniz calls for backup, and says “You are being detained. You are not free to go.” In the footage, Alaniz tells a colleague that “she went to California for two days, kind of making stuff up when I ask her where she stayed at.” 

He used Alaniz’s travel history, her “nervousness,” and the fact that she doesn’t recall every detail of her travel precisely as probable cause to search her vehicle, where he and his colleagues found 91 pounds of meth. Alaniz described this in the footage as “a motherlode,” and “a shit-ton of meth.”

But the way that he came to this conclusion was unconstitutional, U.S. District Court Judge Sara Hill ruled last week, and all of the evidence—including the car’s travel history and everything the police found during the search of the vehicle—must be disregarded in court as “fruit of the poisonous tree.”

It is often the case that unconstitutional, privacy-violating searches that are regularly done on everyday people doing nothing wrong are discovered in court cases in which serious crimes have occurred. In this particular case, Alaniz discovered what appeared to be meth trafficking, but he did so only after suggesting that an ordinary interstate travel pattern was somehow suspicious, and only after using the Flock and Motorola systems to show an incredibly detailed history of a person’s travel and to interrogate her about it. 

Hill wrote “The factors that the government relies upon [to search Kyle’s vehicle] are the same type of circumstances that everyday Americans encounter on long road trips for many legitimate reasons. Many of us drive longer than we want to get to a desired destination, or to no destination at all other than the road and sights ahead. Many of us lose track of what exact day of the week it is when we are traveling, even if it is for just a moment. Many of us travel for myriad reasons (some better than others), cross state lines, pack too much, buy too much, smoke cigarettes, and rent cars. And many of us even get a bit nervous when talking to law enforcement.”

One of the problems with automated license plate reader systems is that they allow police to recreate not just a single person’s movements and travel history, but any driver’s movements and travel history. Documents filed with the court show the totality of both the Flock and Motorola records, and show timestamped, geographically mapped images of the vehicle multiple times per day, driving throughout the entire country. The records also highlight just how many jurisdictions and businesses have Flock and Motorola ALPR cameras, and how that data forms a nationwide network. 

For example, Alaniz had access to a photo of the rental vehicle taken by a Lowe’s hardware store-owned camera in Missouri, various Texas state police-owned cameras, by the New Mexico State police, the Kingman police department. In a five-day period, the car was scanned more than 50 times by 11 different law enforcement agencies.

“Alaniz’s search in just the ALPR system provided him with more than 50 individual records of Kyle’s whereabouts across the country for an entire month,” Hill wrote. “The Court finds that because the ALPR systems Alaniz used to search Kyle’s historical location information intruded on her reasonable expectation of privacy in the whole of her physical movements, it was a search under the Fourth Amendment. Based on the information in the record, the only reason Alaniz conducted that search was because he saw her license plate was from California. That search was not supported by probable cause, and it was done without a warrant in violation of Kyle’s Fourth Amendment rights.”     

The Motorola ALPR report shows that, after the car was impounded, it was scanned two more times on the back of a tow truck later that day.

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InShaneee
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Canadian Analysis: Permanent Daylight Saving Harms Sleep and Mental Health

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"With the push to eliminate the twice yearly clock change, Permanent Daylight Savings Time has emerged as the favorite for most states and provinces," writes longtime Slashdot reader kbahey, sharing the findings from a recent analysis published in the Canadian Medical Association Journal. Sci.News reports: "Ending the clock change solves one problem, but it creates another decision: which time should we live on year-round?" said University of British Columbia's Professor Raymond Lam, lead author of the study. "The health evidence points to standard time, largely because morning light matters for our body clocks, sleep, and mood." Professor Lam and colleagues examined the health consequences of the two possible permanent systems rather than the broader question of whether seasonal clock changes should be abolished. They concluded that the accumulated evidence favors permanent standard time, which keeps the clock more closely aligned with human circadian biology. This distinction, according to the team, becomes particularly important during winter. Permanent daylight saving time would push sunrise an hour later. In cities such as Toronto, for example, the latest winter sunrise would occur at 8:51 a.m., compared with 7:51 a.m. under permanent standard time. In Calgary, the corresponding times would be 9:40 a.m. and 8:40 a.m. The extra hour of morning darkness could leave people traveling to work or school before sunrise, while shifting more daylight into the evening. The change could have consequences for sleep, mood, learning and productivity, particularly among people who already have difficulty sleeping or who must follow early schedules. The reason is rooted in the body's internal clock. "Our biological clocks need morning light to stay synchronized with the 24-hour day," said Simon Fraser University's Professor Ralph Mistlberger, co-author of the study. "Permanent daylight saving time moves that light an hour later just when winter mornings are already darkest." The analysis also highlights concerns about seasonal depression. [...] By delaying natural morning light, permanent daylight saving time would act in the opposite direction, potentially weakening an important circadian signal.

Read more of this story at Slashdot.

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InShaneee
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Workers behind Dungeons & Dragons vote to unionize

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Whether it’s monsters or just unfair labor practices at the gate, the artists and workers behind Dungeons & Dragons and Magic: The Gathering are standing together. This morning, the D&D team and Studio X, which includes Magic: The Gathering and Duel Masters teams, announced their intention to unionize. They’ve asked the Wizards Of The Coast leadership to voluntarily recognize their union by October 13, and have shared a petition that the public can sign if they wish to support the cause. 

In a press release, the workers have laid out what they’re seeking from management. Surprise, surprise, like basically everyone in any kind of creative field, they’re looking for some kind assurance that they won’t be replaced by AI. However, they’re also asking for what appear to be pretty standard requests from your employer. This includes fair wages, job security, reliable healthcare, fair workloads (including remote and hybrid working), and ownership of work created outside of the company. 

If Wizards Of The Coast voluntarily recognizes the union, the Dungeons & Dragons team and Studio X say that they will then begin bargaining and have promised to “share additional details with you all as they develop.” “The games we create are foundations of the gaming industry,” the teams write in the release. “Just as D&D has inspired countless TTRPGs and Magic sparked the TCG revolution, we hope to catalyze real change within our industry and build upon the groundwork laid by other gaming unions, creating a space where all workers are protected and treated fairly.” While this is still up in the air, the teams have encouraged any supporters to sign and share their petition.



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Rogue One actor lost Andor role for refusing to cut "unrealistic" dreadlocks

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Don’t look for Corporal Tonc in Andor—apparently his hair just wasn’t realistic enough for the Rebel Alliance. That’s what Tonc actor Jordan Stephens told Zeteo UK on Monday, where the actor and rapper (one half of British rap duo Rizzle Kicks), explained his reasons for declining the opportunity to reprise his small but heroic Rogue One role.

Stephens, who’s been growing his dreadlocks for seven years, told interviewer Shehab Khan that while he had successfully hidden his locks away under a rebel helmet during his brief appearance in Rogue One, Andor producers were adamant he cut off his distinctive hair. “In Rogue One, I’m wearing a helmet the whole time. So I was like, ‘Yeah I’ve got locks but who cares, just put me in a helmet [again],'” Stephens recalls. He then quoted an unnamed member of the production team as telling him, “‘We’re going to be training so we’re going to need you in traditional army attire, including your hair. And if you have locks, I don’t think it’d be realistic.'”

It was that last word that truly turned the actor against a flashback return for his late character. “I was like, ‘You’re talking about an intergalactic space war with giant slugs and swords made of light, and you’re worried about a soldier having dreadlocks?’ On principle, the cognitive dissonance was too difficult to handle. The idea that someone would watch and say ‘Oh, well he’s got dreadlocks so it’s obviously not real’—what is going on? It’s absolutely insane.”

Stephens, most recently seen in Paramount+ series The Ex-Wife, never explicitly mentions race in the exchange, but Star Wars fans no doubt recall the racist outcry that greeted John Boyega’s casting as former stormtrooper turned rebel Finn in 2015’s Star Wars: The Force Awakens. And Boyega himself has been unsparing about the franchise’s approach to characters of color. Stephens, for his part, has few regrets for missing out on a return to the Star Wars universe. For one thing, he told Khan that he was offered “fuck all” to reprise his role. 

And for another, it’s not like the Star Wars universe lacks people and beings with all manner of hairstyles (or whatever Bib Fortuna has on his head). In their article on the controversy, IGN helpfully points to Clone Wars‘ Jedi Master Quinlan Vos as an example of a Black man whose dreadlocks didn’t shatter anyone’s illusions.



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AI has come for comics on stage and in The New Yorker

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By design, large language models plagiarize because for generative AI to work at the scale we’re told it must, the LLM must ingest everything it can to spit out something similar. As the technology has proliferated, it has found a home on social media, where relaxed moderation policies meet an endless appetite for more content. As we’ve seen time and again, once something hits social media, its creator no longer owns it. In the past, that could mean an idea becoming a meme that’s outside the creator’s control. But now, much of what people post becomes material for AI to ingest and regurgitate. That’s what’s happening to comedian George Brett Olson, who realized an AI-generated woman was stealing his jokes, movements, and even the color of his outfit from a video of his stand-up set. 

Caught by writer Nate Bowling in his Takes & Typos newsletter, Olson’s video breaks down how Tiffany Sloan, a fake woman with massive physical features very different from his own, uses his jokes and movements as motion capture, like he was Andy Serkis and “she” was Gollum. Sloan’s creators are stealing all the way to the bank, amassing a massive following on others’ hard work (Olson isn’t the only comedian it copied) and directing viewers to the AI’s OnlyFans page. Unsurprisingly, it didn’t violate Meta’s terms of service. Even weirder, it’s telling Olson’s joke about AI taking everyone’s jobs. Or as Bowling succinctly puts it: “A working comedian had his joke stolen by an anonymous person who created a big-butted hot girl AI avatar, which then stole his jokes and dozens of others’, monetized the theft, ran an adult content side hustle, and somehow managed to violate none of Meta’s terms of service.”

But stand-up comics aren’t the only ones vulnerable to AI. New Yorker comics artists are also getting robbed. A recent report from Nieman Labs reveals that the signatures of real New Yorker artists are being slapped on AI-generated New Yorker cartoons without their knowledge or consent. Nieman Lab found that ChatGPT has stolen the signatures of more than 15 New Yorker cartoonists, including Brendan Loper, Harry Bliss, Emily Flake, Pat Byrnes, George Booth, Liza Donnelly, and more. For artists, their signature carries currency, authenticating their work and giving it value. 

In 2024, OpenAI signed a licensing deal with The New Yorker’s parent company, Condé Nast. However, the tech company was not permitted to train on cartoons. Somehow, it’s creating New Yorker-style cartoons with real cartoonists’ signatures. OpenAI’s product currently generates New Yorker slop with real signatures at the bottom. OpenAI told Nieman Lab, “This prompt may violate our guardrails concerning similarity to third-party content,” but has done nothing about it.

“It’s an uncanny simulacrum of an impression of a joke,” Jason Adam Katzenstein, a 12-year veteran of the New Yorker pages, tells Nieman Lab. “But it’s not the point for it to actually be funny or good. The point is that it’s trying to deal a death blow to labor. It’s trying to render individual cartoonists obsolete because we cost money and take time.”

Last month, unsealed and unredacted court documents from The New York Times ongoing litigation against OpenAI and Microsoft revealed Microsoft director of applied science Brent Hecht calling AI training the “largest theft of labor in human history.” We suppose these are just two more examples for his argument. 



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Letterboxd users attempt to pool money to buy platform

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Letterboxd users are trying to put the future of their beloved film-centric platform into their own hands. For months, Tiny, the Canadian holding company with a controlling stake in Letterboxd, has been shopping the user-focused social media platform around to interested parties. And there are plenty of interested parties, to say the least. The potential sale has sent users into a frenzy—and who could blame them, especially amid the near-complete merger of Paramount Skydance and Warner Bros. Discovery and what the last few years have done to Twitter. Now, Intrinsic Entertainment Collaborative, a public benefit company, has launched a grassroots campaign called Letterboxd4All to rally the Letterboxd community to buy the majority stake by making a minimum $100 investment for equity ownership on Wefunder or donating $1 or more through GoFundMe. “The valuation of Letterboxd reflects the years of creative labor users have contributed to building the platform,” Elizabeth Joyce, founder of Intrinsic, told TheWrap. “Our campaign is a reflection of people’s frustration at seeing value extracted from their communities. Our model offers communities the chance to be the owner, not the product.”

Letterbox’s growth has been exponential in recent years, and the platform has a staggering 30 million users, according to Inc. It’s become a space where celebrity users, from Charli xcx and Rachel Sennott to Martin Scorsese and Francis Ford Coppola, can drop their hot takes or praise the work of their peers. The success has resulted in celebrities eagerly rattling off their top four movies on red carpets, and, for better or worse, fans immediately logging their reviews as soon as a film’s credits roll. It’s no surprise that movie fans of every kind, from casual viewers to cinephiles who take pride in watching multiple films a week, are desperate to preserve the platform. Plus, there’s an obvious conflict of interest if a major studio buys the platform, since it could influence which films get highlighted or exploited to push its own agenda. Until a sale goes through, either from Letterboxd users or a big studio, Film Twitter will have to stand by anxiously. 



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