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Apple Reportedly Agreed to Intel Chips To Avoid White House Tariffs

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According to the Wall Street Journal (paywalled), Apple agreed to use Intel's U.S. chipmaking plants after White House officials pressured Tim Cook during tariff-relief talks last summer. MacRumors reports: In August 2025, Apple CEO Tim Cook was in Washington to lobby the Trump administration to drop its proposed 100 percent tariff on semiconductor imports -- a levy that would have raised costs across Apple's product line. Apple reportedly secured an exemption after pledging to invest hundreds of billions of dollars in the U.S., although many of those investments were already planned. During the meetings, president Trump and commerce secretary Howard Lutnick are said to have urged Cook to use Intel's fabrication plants to make some of Apple's chips. The link between the tariff talks and the Apple-Intel deal had not been previously reported. Almost a year later, Trump announced via his Truth Social platform that Apple would begin using Intel-made chips in some products. "We need to design and build our Chips right here in America," the president posted. The news sent Intel shares to record highs. According to a person familiar with the negotiations cited by the WSJ, Apple plans to have Intel make chips for both Mac laptops and iPhones. The report doesn't say which chips or in what volume, and Apple is expected to remain reliant on Taiwan Semiconductor Manufacturing Company, or TSMC, for the majority of its custom silicon.

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InShaneee
4 hours ago
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LAPD Regularly Pulled Over Innocent People Because License Plate Readers Flagged Their Cars As Stolen

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LAPD Regularly Pulled Over Innocent People Because License Plate Readers Flagged Their Cars As Stolen

The Los Angeles Police Department (LAPD) announced it will let its surveillance contract with automated license plate reader company (ALPR) Flock expire, becoming the largest police department in the country to drop its contract. Notably, the decision came after an audit of ALPR technology found that, in a two-month period, the LAPD had improperly "investigated" 161 people whose cars were flagged as stolen in the LAPD’s ALPR system but were not actually stolen. 

The news that LAPD pulled over 161 innocent people in two months because of improper tagging in the department’s system comes after several high-profile incidents in which people in other states were accosted by police because of data entry or clerical errors in ALPR systems. Joel Feder, an editor of the car journalism website The Drive, detailed a harrowing tale in which he was tracked for days and ultimately pulled over by police in Minnesota because the license plate of the car he was reviewing for the website had been entered into the Flock system as stolen by a police department in California. Monday, the website MotorBiscuit wrote about an innocent woman who was jailed for 13 days because she drove a black Dodge Durango and police searched the Flock system for a Black Dodge Durango suspected of being involved in a fatal hit-and-run accident. 

LAPD Regularly Pulled Over Innocent People Because License Plate Readers Flagged Their Cars As Stolen
Image: LAPD OIG

A new report by the LAPD Office of the Inspector General (OIG) suggests that instances of people being falsely pulled over because their license plates have shown up on an ALPR “hot list” are very common, and that the surveillance of people on hot lists that ultimately result in no action from police is staggering. Many ALPR systems have this “hot list” feature, which is where police enter a license plate and get a ping or notification about the vehicle’s whereabouts whenever it passes a connected ALPR camera. In a two-month period between August 1 and September 30, 2025, the LAPD’s cameras generated more than 210.5 million license plate reads, according to the report.

“During the review period, officers acknowledged 161 alerts as accurate license plate matches; however, subsequent investigations determined the vehicles were not stolen,” the report reads. “In addition to creating an inconvenience for vehicle owners, these inaccuracies can affect individual liberty interests, erode public trust, and potentially create substantial legal and financial liability concerns.”

The report notes that this happened because of “inaccurate or outdated information, increasing the risk of unnecessary enforcement actions, including vehicle stops and wrongful detentions, or a confrontation with serious consequences,” and that in many cases, license plates remained on a hot list after a stolen vehicle had already been recovered or was reported as not stolen, meaning the cops are in some cases pulling over the lawful owner of the vehicle.

Notably, the report states that when police get an ALPR hot list hit, the department generally considers any subsequent action to be a “high-risk” stop, meaning the risk of confrontation or potential danger is greatly increased from routine traffic stops for running a red light or speeding. 

“When a license plate matches with a vehicle of interest on a Hot List, an alert will appear on the police vehicle’s Mobile Digital Computer,” the report reads. “Often, officers will approach the vehicle with extreme caution or conduct a ‘high-risk’ stop. This involves calling for back up, air support, and a supervisor and ordering the suspect out of their vehicle.” The report says, “department policy requires officers to attempt to verify the accuracy of the ALPR alert prior to conducting a stop,” but that often does not happen. The report also states that, on the vast majority of hot list hits, no action is taken by police meaning that specific people are being subjected to tracking and surveillance for no readily discernible reason. In the two-month audit period, 5,911 different license plates were tracked. No action was taken against 4,575 of those cars.

The LAPD said in response to the report that cars improperly flagged as stolen “generally result from the timing of record updates outside of the Department’s control, such as delays by another jurisdiction or a vehicle owner in clearing a plate from a Hot List after a vehicle has been recovered or is no longer wanted.” In other words, LAPD is often relying on other police departments to remove license plates from a hot list, highlighting the problems with networking different surveillance systems together.

The LAPD OIG report, which appears to have directly led the LAPD to allow its Flock contract to expire, studied the use of three different ALPR systems the department has been using, including static, pole-mounted cameras from Motorola and Flock and cameras in police cruisers made by Axon. In total, the department has nearly 2,000 ALPR cameras; LAPD accesses data for both Flock and Axon systems through Flock’s backend thanks to a data sharing partnership between Axon and Flock, according to the report. The report said the department was able to recover 337 stolen cars during the two months and that ALPR data led to 74 arrests total. 

Both the OIG and the LAPD determined that the ALPR system needs to be reconsidered. The OIG suggested that the LAPD “suspend the deployment of new ALPR cameras and the execution of new ALPR-related contracts pending public input and a broader reassessment of vendors and data practices” and “strengthen oversight of ALPR data access.” The LAPD allowed its Flock contract to expire over the weekend, and said it would not enter into new contracts until going through a full audit process.

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R.I.P. Sam Neill, Jurassic Park star

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Sam Neill, the star of Jurassic Park and an actor who enjoyed an over 50-year career, has died. His family confirmed the news via an Instagram post. “Sam was surrounded by family and passed with the dignity that has characterised his whole life. The loss was sudden and unexpected but blessed by the fact that Sam remained cancer free,” reads the post, in part. “More details will be shared later, but for now, on behalf of the family, we ask that you respect their privacy as they navigate this immeasurable loss.” According to the BBC, Neill had previously been diagnosed with non-Hodgkin lymphoma, but announced earlier this year that he was cancer free. Neill was 78 years old.

Perhaps best known for portraying paleontologist Dr. Alan Grant in the Jurassic Park films, Neill was noted for his versatility as an actor, appearing in works like Possession, The Hunt For The Red October, The Piano, Bicentennial Man, The Tudors, Peaky Blinders, and Thor: Ragnarok

Born in Belfast, Northern Ireland in 1947 as Nigel John Dermot Neill, Neill spent his childhood largely in New Zealand, where he moved in 1954. Neill began dabbling in acting in university, and his first professional on-screen role was in the New Zealand television film The City Of No in 1971. A breakthrough came in 1977 with Sleeping Dogs, considered a landmark in New Zealand cinema, becoming the first feature-length film produced entirely in the country on 35 mm film. 

After that success, Neill found work in Australia before his career went even more international. In 1981, Neill starred opposite Isabelle Adjani in Andrzej Żuławski’s cult horror classic Possession. In an interview with The A.V. Club, Neill would later call the film “probably the most crazed thing I’ve ever done.” Throughout the 1980s, Neill also starred in other Australian films like For Love Alone, The Umbrella Woman, and Evil Angels, which was later released internationally as A Cry In The Dark. Neill stars opposite Meryl Streep in the film as Michael Chamberlain, a pastor wrongly implicated when his infant daughter was the victim of a dingo attack in the outback. Neill won the Australia Academy of Cinematic and Television Arts Award for his leading performance. In 1990, Neill appeared in The Hunt For The Red October opposite actors like Alec Baldwin, Sean Connery, and James Earl Jones. 

But Neill’s biggest role would come in 1993 with Jurassic Park, which would become the highest-grossing film of all time upon its original theatrical run. “We sort of knew at the time that we were on the threshold of something very different and new,” Neill reflected later. “You know, it was a smart, popcorn-friendly idea, but it was also where these new technologies were coming into their own.” Neill would eventually return to the franchise for 2001’s Jurassic Park III and 2022’s Jurassic World Dominion. Also in 1993, Neill appeared in The Piano, which won the Palme D’or at the Cannes Film Festival. 

Neill’s career remained consistent throughout the 2000s as he landed recurring roles in series like The Tudors, Crusoe, Alcatraz, and Peaky Blinders, in which he appeared from 2013 until 2014 as Major Chester Campbell, a main antagonist of the show’s first two seasons. In 2024, he acted opposite Annette Benning in the Peacock series Apples Never Fall. Neill was diagnosed with cancer in 2022, though he worked fairly consistently throughout this time, telling The Guardian in a recent interview that he had been in chemo for five years. He took some of the time away from film acting to work on a memoir, Did I Ever Tell You This? Though he recovered from the cancer, he seemed to have made some peace with his illness, telling The Guardian in 2023, “I’m not afraid to die, but it would annoy me.”



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InShaneee
5 hours ago
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How Flock Cameras Wrongly Tracked a Journalist for Days, Then Sent Police to Arrest Him

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"Are you armed?!" the police officer screamed. "Get out of the car!" A writer for the car-news site The Drive describes how "a technological chain linking surveillance cameras, AI, and law enforcement... led to me and my wife being surrounded by police, hands on their guns, in a Kohl's parking lot in suburban Minnesota." After dropping off our Amazon returns, we'd just gotten back in the Range Rover and reversed maybe two feet out of the spot when four cop cars came flying out of nowhere and boxed us in... The Plymouth Police Department had been tracking me for days using Flock license plate cameras, waiting for the right moment to strike, because they thought I'd stolen the Range Rover. And the reason I was ID'd as a dangerous car thief was a simple data error made 2,000 miles away in California, creating an edge case within an edge case that Flock's AI camera network was unable to handle... "The plates on this car are stolen," Officer Ganshyn said... This made absolutely no sense. Car companies keep meticulous track of the fleets they loan out to the media. The vehicles all have special manufacturer or dealer plates that are logged every time one enters or exits... The New Jersey plates that were allegedly stolen from the LA dealer were 34 03 DTM, not 34 10 DTM. But when the police report was created and the plate was entered into Flock's system, it was just recorded as 34 DTM. Just the five large characters, no little number in the middle... Flock's AI tech wasn't registering that non-standard little number when it began picking up the Range Rover around town... I connected the final dot. A lot of vehicles in [Range Rover manufacturer] JLR's media fleet have a New Jersey manufacturer plate with the same alphanumeric structure — 34 ## DTM — and Officer Ganshyn observed that meant it was now a nationwide issue. Anywhere a police department has a partnership with Flock, any other JLR-owned car with the same plate structure is going to get flagged as stolen. In fact, four other 34 ## DTM cars were being tracked around Minnesota that week, according to Officer Ganshyn. I was just the first one to get nabbed. The only way to stop it would be for the LAPD to correct their initial report and update Flock's system, which Jaguar Land Rover was now racing to make happen following the phone call. Still, he warned me to drive straight home, park the Range Rover, and leave it there. If I were to cross into the neighboring town, I'd probably get flagged again and go through this entire ordeal again with a different set of officers. His parting words were ominous: "You're lucky we're in Plymouth. If you were in Minneapolis, they definitely would've come at you with guns drawn." Ironically, even the original license plate wasn't stolen either, the article points out. It was reported misplaced during a Los Angeles photo shoot, and "The corporation had to report the plate as lost to law enforcement," according to the police report — and even then, the plate "was reported as NJ 34DTM instead of NJ 3403DTM." The author's conclusion? "Once these systems have you in their crosshairs, there's pretty much only one way it can go... A simple data-entry error, magnified and broadcast nationwide by a growing surveillance network operated through an opaque partnership between a private company and public agencies, led police to identify me as a car thief and set up a sting to take me down. I mean, they even had a drone flying overhead during the 'bust'... "Thank God our kids weren't with us." Thanks to long-time Slashdot reader sinij for sharing the article.

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InShaneee
2 days ago
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Read This: Inside the desperate race to find the next Obsession or Backrooms

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Film executives are kind of like Labrador retrievers—except instead of “Treat!” their ears perk up at phrases like “$400 million return on investment.” Nobody in Hollywood, for instance, has missed the fact that Kane Parsons’ Backrooms and Curry Barker’s Obsession have both built very large stacks of money over the last two months with roots firmly planted in the internet, and the hunt for the next online-phenomenon-turned-reliable-studio-money-maker is now well and truly underway. Now, The Wall Street Journal has issued a report diving deeper into the specific creators and producers looking to serve as the conduit from Hollywood to the YouTube generation, and it’s a fascinating reminder that there’ve been folks watching this particular pot for a couple of years at this point, just waiting for it to boil over.

Among other things, the piece outlines just how recent the tipping point has been: It details multiple instances of artists and their attached teams waiting to push for sales until after Backrooms hit theaters back in May, sensing that studio execs were about to get a powerful hankering for online-derived works. Aaron Koontz, who’s spent years directing and producing low-budget horror, and who’s positioning himself as a key producer in this space, says he was initially planning to shop around Alex Kister’s web series The Mandela Catalogue earlier this year, but then decided to wait until the specific week Parsons’ movie hit theaters before taking the film to market. The result was a bidding war that not only made Kister a millionaire, but pushed United Artists to allow the 22-year-old online movie maker to direct the film version of his horror shorts.

See also the Siren Head adaptation we wrote about earlier this month, based on artist Trevor Henderson’s viral horror creation. Despite its general ubiquity in low-budget video games and YouTube videos, Henderson had made basically no money off the online cryptid since he released it online in 2018. (Although he did garner at least some Hollywood attention, working as the monster designer for 2024’s Tarot.) Approached by that film’s producer, Scott Glassgold, about trying to sell the character in Hollywood, the pair decided to wait until after Parsons and Barker’s films landed at the box office. “Within days, studios were offering six figures for the rights,” and now, Henderson’s reportedly been paid more than $1 million for the character’s film use (while also retaining other rights to it). Filmmakers Zach Cregger and Brian Duffield, meanwhile, are currently working to adapt the creature for the big screen.

At the same time, the WSJ piece raises questions about ownership that it doesn’t fully address. Most notably, it reports that IT, and now Siren Head, producer Roy Lee is also working to adapt film shorts from popular online fiction collective The SCP Foundation, where hundreds of online authors have spent more than a decade embedding science fiction, horror, and even comedy stories within fictitious “security protocols” for dangerous supernatural objects and entities. The idea is that the most popular shorts, collected into an anthology, will then be adapted into features. Thing is, though, that the SCP has always been pretty adamant about its adherence to a Creative Commons license that, among other things, means anything made from works set in its universe is also covered under Creative Commons—which feels like the kind of thing that would give IP-hoarding Hollywood absolute conniptions. We’re not privy to any of these contracts, obviously, but they do raise the kinds of issues that are going to become extremely pertinent as authors and artists who garnered big online followings through collaboration, remixing, and freely working from ideas floating in the public consciousness now get strained, at what’s apparently going to be a pretty high rate and volume, through the Hollywood machine. 



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Updated: Taylor Swift's wedding venue reportedly keeps a list of guests' sexuality for some reason

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Madison Square Garden, one of America’s most cherished privately run surveillance states, keeps a database of which celebrity Knicks fans and Taylor Swift’s wedding guests are LGBTQIA, as well as their “risk” level, according to a new report from Wired. In a statement to The A.V. Club, MSG called the report “inaccurate and false” and threatened legal action against the outlet.

Wired previously reported on the extent to which MSG surveils its patrons. The latest batch of docs released by the criminal hacking collective ShinyHunters revealed that MSG maintains a running database of “talent” hosted by the venue, rating them by “risk” level, to determine whether to give them free tickets. Even Knicks superfans and defenders of MSG’s obsessively paranoid owner James Dolan aren’t safe. Fat Joe, who called Dolan “Batman,” was labeled a “medium risk.” Unofficial star of the Knicks history-making championship run, Mariska Hartigay, is a “low risk.” Sonic The Hedgehog and Happy Endings star Adam Pally is “not to be hosted.” Five of Taylor Swift’s wedding guests were also evaluated by the Garden’s security. Never fear, Ice Spice, Michael Strahan, and Selena Gomez were all “low risk.” 

The “talent” database is some 40,000 names deep, and a vast majority of them do not receive a risk evaluation. However, and for unknown reasons, the database tracks the race, gender identity, and sexual orientation of at least 93 celebrities, including Ricky Martin and Phoebe Bridgers, Wired reports. Whether Swift and Travis Kelce, who married at the venue on Saturday in a weird power flex to all the New Yorkers dying in the heat, required invitees to agree to such surveillance remains unconfirmed. 

Aside from it being weird as hell that a sports venue keeps track of the sexuality of guests trying to watch the goddamn Knicks, the focus on LGBTQIA patrons is part of a larger pattern of paranoia. Last month, Wired reported that MSG went to great pains to alienate and remove a trans social media influencer who made their following as a diehard Knicks fan. She was tracked minute by minute by MSG security until she was eventually banned from the Garden, a lawsuit revealed. “They just seem overly interested in queer and trans people in their venue,” Evan Greer, director of the digital rights group Fight for the Future, told Wired

Ironically, Dolan also owns the Sphere, which recently announced an upcoming slop-ified Rocky Horror Picture Show. We suppose they can use AI to de-queer the film while also keeping a close eye on the androgynous sexuality of the garter-belt enthusiasts who attend.

This article has been updated with a statement from Madison Square Garden.



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