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The New Orleans Police Department (NOPD) looked at ways to arm quadcopter drones with weapons, according to a draft version of its drone manual shared with 404 Media. A draft version of the manual, which was live on the NOPD website in June, said that the department’s drones could only be equipped with weapons with written approval from the Superintendent of Police.
The current version, live as of July 1, has different language: “The sUAS shall not be equipped with weapons or hazardous materials of any kind,” referring to small Unmanned Aerial Systems, or drones. According to the NOPD, the operations manual it published to the internet with the rules for weaponized drones was an early draft.
“The manual published on July 1 is the current published version of the policy. Earlier versions were draft versions that were presented for review before adoption of the current policy,” NOPD told 404 media. “NOPD has made it clear we are not and will not be equipping drones with weapons or other hazardous materials.” NOPD didn’t answer follow-up questions about how or why the draft version of the manual was published.
But the publication of a police drone manual that opens the door for weaponized quadcopters is important, and comes as drone companies and police flirt with the idea of putting weapons on their drones. New Orleans has long been a pioneer of camera and drone driven policing and the cops have used controversial tactics to get around public scrutiny and regulations. It shows that what the police are circulating amongst themselves and thinking about privately, what they perhaps want to happen, does not match public policy.
NOPD has a history of finding creative ways to work around public policy and scrutiny when it comes to surveillance tech. A private company called Project New Orleans operates a network of cameras that provide live facial recognition to the city’s cops. The company operated in secret cooperation with NOPD for two years before the Washington Post exposed it in 2025. According to the ACLU, NOPD has continued to use Project New Orleans in contravention of local laws and has stonewalled public records requests.
Federal Aviation Authority regulations prohibit the operation of drones equipped with a “dangerous weapon.” Matthew Guariglia, a senior policy analyst at the Electronic Frontier Foundation, told 404 Media that he didn’t see how the police arming drones could possibly be legal. But the FAA regulation was written in 2018 and things have changed a lot in just the last few years. Last month, Guariglia argued that “we have precious little time” to stop police from arming their drones, and that the industry was moving that way.
One of the companies selling NOPD its drones is Skydio. The US-based manufacturer of quadcopter drones has done very well since the Trump administration banned the sale of foreign-made drones last year. Skydio has always marketed itself as a drone company for first responders and had a cozy relationship with police departments around the country.
In 2020, Skydio wrote “we will not put weapons on our drones and will oppose fully autonomous lethal weapons systems.”
But Skydio CEO Adam Bry walked this back in a June 15 interview on Decoder. “So this is an area where I think I’ve gotten some things wrong. We’ve said some things previously that led some folks externally and internally to believe that, for example, we would prevent the military from putting weapons on our drones,” Bry said.
“It’s not our place to tell them what they can and can’t do,” he said. “It should be up to the folks who’re putting their lives on the line to decide how to use it.”
He added that terrorists don’t follow terms of service. “They don’t care what our policy says,” he said. “I think when you start trying to draw these bright lines and say: this is good, this is bad, more often than not you’re going to end up on the wrong side of moral questions.”
Guariglia also pointed to a planned pilot project in Georgia that will test “less lethal” armed drones to nominally stop school shootings. He noted that in recent years many drone regulations have been ignored or relaxed.
“You used to have to have line of sight of your drones and now law enforcement [...] are phasing that out or offering exemptions,” Guariglia said. “If you want to police divisions a few years ago, they were selling drones capable of flying miles and miles in a couple of minutes and you’d ask them about the line of sight rule and they would just shrug. They are preparing for the day when law enforcement gets whatever they want.”
“Clearly they’re thinking about it,” Guariglia said of the NOPD manual that included a provision for armed drones. “Drones have always been a bit of a solution in need of a problem. There are few things that police say they need drones for that they cannot get by other means, and I think by putting other tools on them, they are still on a quest to figure out what drones are really good for.”
Arming drones could lower the bar for police to use force. “We have seen how consequence-free it can be for officers to deploy force at somebody who’s standing in front of them when they have to confront the fact that it’s a fellow human and they still have to draw their night stick or their Taser or their gun,” Guariglia said. “That would become so much easier and so much less emotionally and physically burdensome if they can deploy force by pressing a button.”
All this tech costs a lot of money. “Cities are spending an astronomical amount on drones and for maintenance of the drones. They're hiring all these drone pilots. They have to have special infrastructure to fly all these drones, and companies are getting rich. But really, there is no problem in policing that drones have straight up solved yet,” Guariglia said.
On June 24, the New Orleans city council approved a $250,000 budget request to expand Skydio’s reach in the French Quarter. The funds will purchase a massive docking station and support a “drones as first responders” (DFR) program, meaning that people who call 911 in the French Quarter may see a quadcopter drone before they see a police officer. NOPD told the city council that these drones won’t run facial recognition software and will not be armed.
The existence of the draft that was “presented for review” stands out. On February 7, 2024, NOPD first published an operations manual for drones. It was unequivocal: “The sUAS shall not be equipped with weapons of any kind.”
Two years later, in 2026, NOPD asked for money for more Skydio drones and the city council questioned the cops about the program in a public meeting on April 16.
“Are these drones or any current drones in the French Quarter armed with any type of weapons?” Councilman Freddie King asked.
“No,” NOPD captain Samuel Palumbo said.
On June 24, 2026, the city council voted 4 - 3 to fund the expansion of the DFR program in the French Quarter.
Around that time, a revised version of the NOPD drone manual that allowed for the use of weaponized drones with the Superintendent’s written permission was live on the NOPD website. The revised version of the manual is dated June 21, 2026. The new manual caught the attention of Eye on Surveillance, a Louisiania activist group. The group said it started calling city council members to alert them to the new language.
Then, on June 30, the operations manual with the weaponization language vanished and a third version of the manual appeared. “The sUAS shall not be equipped with weapons or hazardous materials of any kind,” a revised version of the drone manual dated July 1, 2026 said.
It’s an odd sequence of events from a police department that hasn’t been forthcoming about its use of surveillance tech. “Police have yet to demonstrate that they can responsibly handle the data collection and surveillance capabilities of drones. Choosing to arm already unaccountable sky cameras is a threat on top of a threat, a misuse of public resources, and risks introducing more unaccountable weapons into a city enjoying a decline in gun violence,” Kelsey Atherton, Chief Editor at Center for International Policy — a non-profit that studies emerging technologies — told 404 Media.
Skydio did not return 404 Media’s request for a comment.

If you’ve ever wanted to see Mystique transform into Yelena Belova, or watch Shang-Chi fight with Gambit, or see The Thing shake hands with M’Baku, then, well, the Avengers: Doomsday trailer will leave an impression. After its debut at CinemaCon earlier this year, the first footage from the upcoming film has finally been released to the public, and yes, it features a hodgepodge of superheroes assembling to battle the next Big Bad: Robert Downey Jr.’s Doctor Doom.
The trailer promises a lot of fun pairings, something that the Marvel Cinematic Universe has pulled off before in previous Avengers movies. Doomsday acts as a culmination of the past seven years post-Endgame, bringing together protagonists from The Fantastic Four, Thunderbolts, Shang-Chi, and even Deadpool & Wolverine‘s Gambit (Channing Tatum).

The camera just won’t stop hopping around. Kyle Schwarber is absolutely knocking the cover off of the ball in the first round of the 2026 Major League Baseball Home Run Derby, and the Netflix production team appears determined to show his swings from every conceivable angle. From behind the pitcher’s screen, where ESPN tended to set up shop when it aired the tater-mashing prelude to the MLB All-Star Game. In a medium shot that cuts Schwarber off just below the waist and all but obscures the view of the ball as it approaches the plate or leaves his bat. From a ground-level angle that paints the Philadelphia Phillies slugger in a classically heroic light, looming over the lower-deck seats of his home ballpark. There’s a particular fondness for the last of those shots in Netflix’s inaugural broadcast of the Home Run Derby, and there’s an annoying tendency of lingering on the batters rather than cutting away to another camera that can show, you know, where the ball went. After one too many of these disappearing acts, a disturbing thought occurs to me: Netflix is going to screw up the World Cup.
The 2026 FIFA World Cup has been the undisputed event of the summer, and provided you’re making the correct choice of U.S. broadcasters, some of June and July’s best television, too. A Peacock subscription and/or digital antenna has been the gateway to Telemundo’s refreshingly unfussy presentation of the tournament: A comprehensive and legible view of the field, no commercials during the hydration breaks (the choice that launched a thousand “pausa de hidratacion” memes), and the strong likelihood of play-by-play announcer Andrés Cantor erupting in a “¡Goooooool!” at some crucial moment. In every respect, it’s a superior product to Fox Sports’ coverage of the same matches. This is the third time Fox has carried the World Cup in the United States, but its broadcasts still carry the desperate stink of a network trying to sell English-speaking Americans on a sport they long ago embraced. If a critical mass of soccer skeptics remains in this country, you’re sure as hell not going to win them over with a nightly aftershow hosted by James Corden.
But our national nightmare of Corden recapping highlights over some of the least-appetizing beers ever photographed may be short-lived. The U.S. TV rights for the next two World Cups are currently up for grabs, and while FIFA, as is its endlessly bribable wont, re-upped with Fox and Telemundo without taking bids from anyone else in 2015, such an outcome seems unlikely this time around. CNBC reports that soccer’s international governing body wants to assemble a bundle (how au courant) for the 2030 and 2034 tournaments—English- and Spanish-language rights in a single deal. That’s the type of arrangement they cut for the next two women’s World Cups, the first of which is set to play out next year on, sigh, Netflix. A quick glance at your queue in the past month would reveal how serious Netflix is about associating itself with association football: In June, it launched a whole slate of World Cup-adjacent content, including a movie that casts Diego Luna as the (fictionalized) guy who brought the 1986 cup to Mexico, two projects about two different Brazilian teams that won it all (one scripted, one a doc), and an unscripted series about this year’s Norwegian side that presaged the arrival of Erling Halland Mania in America.
Look, we give The Big Red N a lot of shit here at The A.V. Club: For its price hikes, for the declining quality of its original programming, for its apparent desire to devolve into YouTube (one of the other parties reportedly courting FIFA at the moment). But these are minor quibbles compared to all of the missteps Netflix has made in its expansion into live sports. It began in 2024, with a glitchy night of ringside rubbernecking courtesy of Jake Paul’s boxing match with a nearly 60-year-old Mike Tyson. It continued through MLB’s 2026 Opening Night, a cavalcade of plugs for the Netflix lineup during which the New York Yankees and San Francisco Giants also played a baseball game. The sideshow quality of its combat sports offerings, the mind-boggling production choices made in its first two baseball outings—none of this inspires much confidence in Netflix’s ability to handle the breadth and length of a World Cup.

Yesterday was Netflix’s second quarter earnings call, and there was a decent amount of hubbub across industry press sources about how sweaty the streamer seemed. Stock prices fell, second seasons were dwindling, and Netflix was rolling out cutting edge ideas like putting YouTube videos that already exist for free on a paid platform. Despite being, objectively, a very successful company, it seemed like Netflix might be hitting some kind of ceiling for its current strategy. If only there was some magic word that investors love, a word that suggests unlimited, totally unrealistic infinite growth.
Amazon's upcoming God Of War show has hit a major snag - it's now on the hunt for a new Kratos, after an on-set injury put its current lead actor out of commission. Sons of Anarchy star Ryan Hurst was originally cast for the role in January, with Deadline reporting that four episodes of the God Of War production had been fully completed before he tore a bicep performing a stunt.
Production on the show has now been paused, and is eyeing to resume in mid-October. Unfortunately that isn't enough time for Hurst to fully recover from surgery. The completed episodes will now be reshot with a new actor, causing further delays to the show following …