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Meta Tests Muse AI Agent Calls That Are Actually Made By Humans in a Call Center

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Meta Tests Muse AI Agent Calls That Are Actually Made By Humans in a Call Center

Last week, Meta executives announced that its much-hyped AI agent, Muse, had a new feature: It could call businesses for you to do things like make a restaurant reservation or a haircut appointment. But in reality, Meta is testing having these calls being made by human beings in call centers, 404 Media has learned.

“We just expanded the @muse beta for outbound calls to US businesses,” Ryan Fox, the principal engineer on Muse posted on X on Sept. 16. Alexandr Wang, Meta’s chief AI officer, posted “we’re expanding our phone beta for muse!” 

Internally, however, the company announced the features to employees and said that it had “added a human agent layer for calls to get completed,” and that “Muse human agent calls [sic] is ready for company dogfooding,” or testing. 

“Muse doesn’t just dial a number. It calls a business on your behalf, handles the conversation, completes your request, and reports back with a transcript and a summary,” the internal message board post to employees, seen by 404 Media, reads. “It also no longer works alone. Muse is now able to hand requests to a trained human agent, who places the call and works it through.” 

“This is still a confidential, pre-launch product,” the post adds. “Please don’t share it, or anything it producers, with anyone outside the company.” 

Once again, a core feature of a major piece of AI technology will actually just be people working in a call center, doing work that a company says AI is doing. It is not clear how often or when a call is routed to a so-called “human agent,” and when a call is done exclusively by AI.

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Do you work for Meta or know anything more about Muse? I would love to hear from you. Using a non-work device, you can message me securely on Signal at jason.404. Otherwise, send me an email at jason@404media.co.

The fact that human beings are involved in the call raised questions among employees, who wondered both about the privacy implications of sharing people’s call requests with other human beings as well as the perception that its AI assistant wasn’t advanced enough to do calls on its own. 

“Not sure what I am missing here but why is this a ‘feature?,’ one employee wrote on Meta’s internal message board for workers. “This has potential for so much negative PR. It could portray us as ‘their AI is not good enough so they still need humans’ kind of coverage for this launch.” 

That Meta is at least sometimes letting human beings read users’ chats and make phone calls on their behalf is part of a time honored tradition in which companies launch an AI product, claim that it is AI, only for it to be later learned that human beings are doing some or all of the work. And it is the latest example of a tech giant passing potentially highly sensitive information to human beings; it is easy to imagine someone asking Muse to make a sensitive doctor’s appointment, for example, and the user not knowing that a human being might make that call. 

In internal communications seen by 404 Media, Meta suggested to employees that potentially sensitive information shared by the user with AI — and then passed to human contractors — was still safe because the contractors had undergone “a lot of training to make sure all your data is safe and secure.” An employee commented that the training “is not a [security] mechanism.”

“This is absolutely going to create a ton of outcry if we publicly launch this as default-on. It will kill all the goodwill and organic press we’re getting from early adopters,” they wrote. “Please think about how the headlines will scream ‘Meta uses humans behind the scenes to make calls’ or ‘Muse AI is actually independent contractors’ and result in a ton of bad press about the privacy and security of our data handling […] please PLEASE do not release this as-is and at least make this a user preference if we absolutely must launch this. Please.”

Other employees who had tested the system said that it was a “bad bad idea,” and that they were not made aware that a human being did the call for them until after the call had been made: The tester “was not made aware of the caller being human and was only told after,” one employee wrote. “So they were concerned with information that they shared with the assumption that it is the secure AI which is making the call. Even with clear indication of human calling, I can think of many scenarios where I wouldn’t be comfortable with this and I am not positive about how our users will react to this.” 

Various Meta employees and regular users have posted about Muse’s ability to make phone calls, and their experience with it. Ravid Shwartz Ziv, who does AI research at Meta, posted on X that “this week, Muse called customer service on my behalf. It navigated the phone tree, waited on hold, spoke with a human rep, and resolved the issue (worked great!). The crazy thing for me (besides that it works) is that the rep didn’t blink. Talking to a bot was completely natural to them.” Others have posted that the call function didn’t work, or that the person on the other end hung up on the agent (some have said that Muse did what it was supposed to do). 

“Internal testing, aka dogfooding, is core to the product development process. While the response from employees has been overwhelmingly positive, the entire point is to get feedback so we can implement safety and privacy protections and improve features before we release them publicly,” a Meta spokesperson told 404 Media. “We’re working with merchants to continue improving this potential calling feature, and will only roll it out when it's ready and with the proper disclosures.”

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InShaneee
49 minutes ago
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Chicago, IL
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Rivian’s R2 beat its own climate goals four years early

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Rivian R2

Rivian always planned for its all-important R2 vehicle to be less expensive than its pricey R1 predecessors, but also less polluting. The production process for the R2 would rely on more renewable energy, and the vehicle itself would feature more recycled and biodegradable materials than the models that came before it. With this and a few other tricks, Rivian set the target to achieve a 50 percent lifetime carbon reduction for the R2 by 2030.

Today, the company released its 2025 impact report outlining its sustainability progress for the year. The main takeaway is that over the entire lifespan - everything from production, driving, and eve …

Read the full story at The Verge.

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InShaneee
51 minutes ago
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Chicago, IL
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Is Your City Using Axon License Plate Cameras? We Need Your Help

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Is Your City Using Axon License Plate Cameras? We Need Your Help

Cities around the country are ditching Flock’s automatic license plate reader (ALPR) cameras, and replacing them with equivalent cameras from law enforcement contracting giant Axon. That move in large part comes in response to 404 Media’s coverage of how local cops performed lookups in Flock for Immigration and Customs Enforcement (ICE), and how a cop in Texas searched Flock cameras nationwide to look for a woman who self-administered an abortion.

That brings up questions: what are cities and law enforcement agencies using Axon ALPRs for? And who are they in turn sharing that data with? 404 Media has started to find out, but needs the help of local residents and community members to figure out what is happening across the country.

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Have you obtained Axon ALPR activity logs? We think this information is important so we can learn how police are using Axon's surveillance cameras. Please feel free to send the files to us! You can email joseph@404media.co.

Over the last few weeks, 404 Media has filed requests with various cities and police departments for Axon “activity reports” and “sharing reports.” These show in granular detail when a police officer searched Axon’s ALPRs, the name of the officer, their badge number, the license plate they reached, and, most importantly, the stated reason why. These activity reports are essentially Axon’s version of Flock’s “network audits,” which has been the basis of much of 404 Media’s Flock reporting, and local and national media outlets’ around the country. You can see an example of one here:

Is Your City Using Axon License Plate Cameras? We Need Your Help
404 Media redacted the plates in this screenshot.
Is Your City Using Axon License Plate Cameras? We Need Your Help
Another screenshot from an Axon activity report.

So far, 404 Media has obtained activity reports from the Benton County Sheriff's Office, WA; Falmouth Police Department, ME; Johns Creek Police Department, GA; Ocean Shores Police Department, WA; Pleasanton Police Department, TX; and Red Wing Police Department, MN.

But we need your help. Has your local police department or city switched to Axon ALPR cameras? Were they already using Axon? And do you want to know what they’re using those cameras for?

We’re asking interested readers to file the below public records request. You can simply copy this language, tweak it a little if necessary to apply to your state, then file the request with the relevant agency. You can do this by finding their relevant public records request email address, or by filing it through Muckrock. This is the platform we use for sending and organizing our records requests.

The Internal ALPR Activity report is the one shown above. The Network ALPR Activity report shows what other agencies the police department or city shares their data with. The ALPR Data Sharing report provides a history of when other agencies were invited, or removed, to receive the data. And the ALPR Hostlist Management Audit report details changes made to alerts the agency may receive.

If you file a request and get data back, please feel free to email it to us at joseph@404media.co. We’ve seen with the nationwide conversation about Flock that local residents can do a lot to reveal how surveillance technology is being used in their own communities. We hope we can find out a bit more about how agencies are using Axon’s cameras too.

To Whom It May Concern:

Pursuant to the [YOUR STATE’S PUBLIC RECORDS LAW], I hereby request the following records:

1. Internal ALPR Activity report in Axon.

The report should include data logged from the period of January 1, 2025, to the date this request is processed. Per Axon's documentation, the Internal ALPR Activity report is available within the LPR > ALPR Search > LPR Audit menu. You can find instructions to locate this here: https://www.axon.com/help/fusus/software/fusus/alpr/alpr-audit.htm

2. Network ALPR Activity report in Axon.

The report should include data logged from the period of January 1, 2025, to the date this request is processed. Per Axon's documentation, the Network ALPR Activity report is available within the LPR > ALPR Search > LPR Audit menu. You can find instructions to locate this here: https://www.axon.com/help/fusus/software/fusus/alpr/alpr-audit.htm

3. ALPR Data Sharing report in Axon.

The report should include data logged from the period of January 1, 2025, to the date this request is processed. Per Axon's documentation, the ALPR Data Sharing report is available within the LPR > ALPR Search > LPR Audit menu. You can find instructions to locate this here: https://www.axon.com/help/fusus/software/fusus/alpr/alpr-audit.htm

4. ALPR Hotlist Management Audit report in Axon.

The report should include data logged from the period of January 1, 2025, to the date this request is processed. Per Axon's documentation, the ALPR Hotlist Management Audit report is available within the LPR > ALPR Search > LPR Audit menu. You can find instructions to locate this here: https://www.axon.com/help/fusus/software/fusus/alpr/alpr-audit.htm

The requested documents will be made available to the general public, and this request is not being made for commercial purposes.

In the event that there are fees, I would be grateful if you would inform me of the total charges in advance of fulfilling my request. I would prefer the request filled electronically, by e-mail attachment if available or CD-ROM if not.

Thank you in advance for your anticipated cooperation in this matter. I look forward to receiving your response within the time period that the statute requires.

Sincerely,

[YOUR NAME]

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InShaneee
23 hours ago
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Chicago, IL
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Trump isn't kidding about this journalist ban

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In an astonishing development following Donald Trump’s asinine declaration on Truth Social that he’d ban journalists who persistently report correct things about him, CNN, MS NOW, and Politico are reporting that their journalists can no longer enter White House grounds because their press access has been revoked. 

Senior White House Reporter Betsy Klein told CNN on Saturday that she’d scanned her press badge at White House security only to have her PIN rejected. “The Secret Service agent in the guard house, with whom I have been friendly in the past, asked to see my badge,” a clearly furious Klein said. “He told me it had been deactivated.” Klein showed CNN the empty lanyard where her badge used to be, an appropriate metaphor for the further erosion of a free press amid the Trump administration. Yet despite the barriers the Trump administration is building to keep journalists like Klein out (say nothing of the new barrier between her and that Secret Service agent, oof), Klein remained undeterred in covering the Trump White House, saying, “We can do our job anywhere.” 

MS NOW White House correspondent Akayla Gardner also spoke about her experience being denied access to the White House. “I attempted to scan my badge, which we have to do to get into the White House grounds. It did not work,” she said. “There was a red beeping light, and so the officer asked me to hand over my badge. He said that it was disabled. I asked why I could not get inside. He said it was above him.” 

Despite this odious and alarming turn of events, CNN and MS NOW aren’t taking the insult lying down. “CNN’s mission to report on the U.S. government will continue regardless of any attempts to restrict physical access to the White House and other government buildings, or any other attempts to impede our journalism. We have a right under the U.S. Constitution to do our reporting without hindrance or interference from the government and this ban is an illegal assault on this fundamental right,” it said in a statement. MS NOW showed similar defiance, posting, “The White House belongs to the American people and the decisions made inside are funded by our tax dollars. MS NOW intends to take any and all steps necessary to defend our First Amendment rights and the essential role of independent journalism in our democracy. We stand firmly behind our anchors, our reporters, and our newsroom. We will continue to report on the President, the administration, and the issues that impact the American people.”



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InShaneee
2 days ago
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Chicago, IL
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Rally calls on Governor J.B. Pritzker to honor constitutional right to rehabilitation

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“My husband has a changed heart,” said Denise Bartik, who stood with a crowd of other advocates outside Governor J.B. Pritzker’s office in downtown Chicago on Thursday to call for compassion and a reinstatement of parole in Illinois. Jeff Bartik, her husband, has served 48 years in state prisons for murder. His clemency petition was […]

The post Rally calls on Governor J.B. Pritzker to honor constitutional right to rehabilitation appeared first on Chicago Reader.

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InShaneee
3 days ago
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Chicago, IL
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Control Resonant Review

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I've attempted to write this Control Resonant review for a few hours now. Every time I put words on the page, I fail to capture exactly how striking and earnest Resonant can be. It's a messy game, one that lets its characters get in the dirt and roll around. Layered emotions, a larger and oftentimes difficult-to-navigate open world, and a sharp and varied melee combat system make Control Resonant a strong sequel, and one unafraid to get it wrong sometimes. 

Dylan Faden isn't particularly likeable. He's got bad posture, a bad attitude, and his vibes are just kind of off. I guess being awakened from a long coma does that to you, but he's certainly a protagonist who took some warming up. However, I came to love everything about Dylan. The way he clambers up the side of a building with his feet like a weird little freak, the way he's constantly trying to do right by the people he's wronged, and his sick-as-hell metal rod that his sister jammed into his chest before disappearing.

Control Resonant is a vastly different game from 2019's Control. A now open-world melee action game, Control Resonant has a different vision for the universe and its inhabitants. The Hiss have broken out of the Oldest House, now spilling into the streets of Manhattan and infecting anything and everything they can worm their way into. Turning Manhattan into their playground, Dylan and a ragtag group of The Federal Bureau of Control members have to work together to try and save the city after FBC Director and protagonist of the first game, Jesse Faden, has gone missing. 

There's a lot going on in Control Resonant. It's a map littered with side quests, collectibles, and odd bits and bobs to poke around and explore. Early on, I worried about open-world bloat, but Control Resonant seems to strike a nice balance between small objectives and maintaining the quirky and exhilarating nature of the oddities of the world. Altered items are still running afoul, like a rogue karaoke machine that turns a house party deadly. Strange members of the Bureau parked around every street corner, waiting to comment on their deep disdain for you and your past transgressions.

Dylan's suite of traversal tools provided me with its own sense of fun. Running full speed off a building to leap into the air, hovering over the dangerous Hiss filled streets below was exhilarating. Despite having such a robust toolset for playing around in this space, navigating Remedy's version of a distorted Manhattan is one of its messiest parts. An unhelpful map system combined with limited entry points for parts of the city left me confused. I was constantly turned around while attempting to chase a marker on my map. Transitioning through zones of the map aren't as easy as just going there, many locations have specific entrances and exits that aren't always clear. I spent large stretches of time circling the same three city blocks looking for a small gate, doorway, or some rooftop access point to reach my destination.

While it certainly got easier once I had my bearings on this messed up version of my once home, it still feels like a growing pain of trying an open-world game for Control. Taking a world so tightly made inside of one ever-changing building and expanding it out to incorporate an entire densely packed city. This idea's ripple effects are felt all over Resonant. 

This effect is felt most deeply in its narrative which sprawls out over the course of roughly 30 hours. Pulling Dylan apart at the seams in every direction you can think of. He's hunting The Hiss, he's researching his sister's disappearance, he's taking on FBC requests, and he's trying to come to terms with his past. The plot of Control attempts to cover a lot of ground across the broken and bruised pavement streets of the city. New characters like Dylan's handler Zoe take front and center in the fight against The Hiss and Jesse's disappearance means previous characters like Emily Pope get an even more active role in the story.

Zoe and Dylan's relationship is one born out of a lot of shared trauma. One that binds people together unreasonably quickly. It felt jarring, and uneven in its pacing, but in the same breadth realistic to how I've made friends in the past. Sometimes a weird night out really does forge a friendship in fire in ways that are somewhat unexplainable and strange to everyone around you. There's a beauty in its messiest parts, the gears that don't click together, but you understand how they turn all the same.

Reading an unending cavalcade of documents further expands out the darkness of the world around Dylan. I read a lot of documents, and I mean, a lot. Sometimes it's light hearted reading about the Hot Dog Incident or other times it's a deeper look into the mind of everyone's favorite doctor Darling. Remedy really uses its writing chops to hide some of Control's best lore bits in these notes, making the act of reading one such a delight every time. 

Control Resonant's biggest change is in its combat. No longer did I have access to The Director's service pistol and instead Dylan is treated to an Aberrant Rod that changes form. Resonant's melee action focus provides something that feels all its own. It's not quite a stylish action game or one that's interested in doing forever combos, but rather a system that puts the focus on expression.

A rather robust selection of forms for your Aberrant Rod means I was able to craft things to my liking. I rocked dual blades that allowed for quick, poking and prodding damage. It kept me light on my feet and gave me a higher than normal percentage chance to crit. For my heavy attack, I went with a devastating drill that provided sustaining damage the longer I held it down. Swapping between these two attacks to string together combos shredded enemies on the ground and in the air. 

I also had access to a combo ender, one of multiple different ways to end your string with a flourish. My Split Pivot rotating disc of death was another way to add constant damage on the board as it ripped through an enemy. I had begun to craft my own little build inside a more robust offering of tools. I began to understand how grabbing pieces off the shelf and jamming them into my arsenal could further build into the playstyle I wanted rather than having to meet Resonant where it needed me to be. 

As I slayed more of the game's Resonant's – powerful beings molded and corrupted by The Patterning – I unlocked more combat abilities to augment my arsenal. I shot heatwaves out of my hands like a firebender, formed telekensis shields around me to block damage, and summoned weird orbs to fight my battles for me. The dance between spending your Combat Power to use these powerful abilities and then using your basic attacks to build that meter back up was a constant push and pull. It was the one extra plate to spin during a fight that rewarded me for being bold.

Combat sings in Resonant. Mainly because it's not designed for you to wail on an enemy forever. Combos have intentional ends, Dylan cannot stay in the air endlessly, falling down after the second round of his combo. It means I had to move smart and plan my next position out while juggling my first. Knowing when to use your two dodges in the air to extend the combo just a little more made Control's combat feel like a playground, a place to constantly experiment with new ideas. 

Near the end I found the late-game boss fights to pull out the worst parts of Resonant's combat design. Bulky, hard-hitting bosses with an overwhelming amount of additional enemies made combat feel like a chore. Fights became slugfests that stacked against me. One wrong step on the razor's edge and a redo of a 15 minute fight was in front of me again.

Control's combat is met with incredible audio design. The clanging of the metal as Dylan discards and conjures more of these metal rods out of thin air. The way it clangs as it hits the ground. The creaking of the wooden scaffolds on the New York City Streets or the shrieking cries of The Hiss. Control Resonant is able to set a scene and tell a story alone with its audio. Weaving in music at the right moments, using spatial sounds to underscore creepy moments.

Resonant's length and scale showcase what the larger world of Control looks like. It takes the FBC and lets them run free around Manhattan. It's a look at the Bureau and the incompetence of the government. A system that has failed so many people and still plays by all of the red tape we've come to expect when asking for real change. Seeing the greater FBC work through its collective issues with Dylan and The Hiss provide for some real eye-opening moments and ones that will stick with me for quite some time.  

I love Remedy's willingness to take swings at something, to be wrong rather than to be safe. Control Resonant feels like a confident step in a new direction from Remedy, one that is far from perfect but reminds me of the beauty of not knowing everything. Not needing to be the smartest person in the room or correct all of the time, but the beauty in knowing who you are and what you want to be, warts and all. 



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InShaneee
3 days ago
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Chicago, IL
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