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ICE Taps into Nationwide AI-Enabled Camera Network, Data Shows

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ICE Taps into Nationwide AI-Enabled Camera Network, Data Shows

Data from a license plate-scanning tool that is primarily marketed as a surveillance solution for small towns to combat crimes like car jackings or finding missing people is being used by ICE, according to data reviewed by 404 Media. Local police around the country are performing lookups in Flock’s AI-powered automatic license plate reader (ALPR) system for “immigration” related searches and as part of other ICE investigations, giving federal law enforcement side-door access to a tool that it currently does not have a formal contract for.

The massive trove of lookup data was obtained by researchers who asked to remain anonymous to avoid potential retaliation and shared with 404 Media. It shows more than 4,000 nation and statewide lookups by local and state police done either at the behest of the federal government or as an “informal” favor to federal law enforcement, or with a potential immigration focus, according to statements from police departments and sheriff offices collected by 404 Media. It shows that, while Flock does not have a contract with ICE, the agency sources data from Flock’s cameras by making requests to local law enforcement. The data reviewed by 404 Media was obtained using a public records request from the Danville, Illinois Police Department, and shows the Flock search logs from police departments around the country.

As part of a Flock search, police have to provide a “reason” they are performing the lookup. In the “reason” field for searches of Danville’s cameras, officers from across the U.S. wrote “immigration,” “ICE,” “ICE+ERO,” which is ICE’s Enforcement and Removal Operations, the section that focuses on deportations; “illegal immigration,” “ICE WARRANT,” and other immigration-related reasons. Although lookups mentioning ICE occurred across both the Biden and Trump administrations, all of the lookups that explicitly list “immigration” as their reason were made after Trump was inaugurated, according to the data.

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Do you know anything else about Flock? We would love to hear from you. Using a non-work device, you can message Jason securely on Signal at jason.404 and Joseph at joseph.404
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InShaneee
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R.I.P. Peter David, legendary comics writer who revived The Incredible Hulk

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Peter David, the comics writer best known for a revolutionary 12-year run on The Incredible Hulk, has died. A lifelong lover of comic books, David had a hand in expanding and reinvigorating the mythos of the medium’s most famous characters, including Spider-Man, Captain Marvel, and Aquaman, picking up an Eisner Award for his work on Hulk. Following years of health issues, his wife, Kathleen O’Shea David, confirmed David died on Saturday, May 24. She did not provide a cause of death. He was 68.

Born in Maryland in 1956, David found comics as a child, picking up Casper and Wendy books at the barbershop and, seemingly, never dropping them. His father, a newspaperman by trade who occasionally wrote film reviews, would encourage David to write his own. Though initially hoping to follow in his father’s footsteps, he’d eventually briefly give up writing to work in the sales department at Marvel Comics. At the time, salespeople jumping to editorial was frowned upon. Still, David found a champion in editor Jim Owsley, who published a story penned by David in Spectacular Spider-Man #103 in 1985. Shortly after, he began his generation-defining run on The Incredible Hulk, which saw the writer expand the Hulk universe, introduce the Joe Fixit Grey Hulk, and elaborate on Bruce Banner’s complex relationship with his abusive father. He and artist Dale Keown would win an Eisner Award for their work.

David continued to innovate and reboot long-running characters throughout the ’90s and ’00s. His 1994 Aquaman miniseries, Time And Tide, refreshed the character from Arthur Curry’s staid talking-to-fish persona left over from the ’70s, giving the character a new look and, eventually, a harpoon hand. Around this time, he wrote Star Trek comics, Supergirl, and Teen Titans, as well as the TV shows Babylon 5 and Nickelodeon’s Space Cases, which he co-created with Bill Mumy. His 2011 run on X-Factor was renowned for depicting a same-sex relationship between characters Shatterstar and Rictor. The book won a GLAAD Media Award for Outstanding Comic Book.

David’s health began to decline over the last 15 years. Following back surgery for a herniated disc in 2010, David had a stroke in 2012. Three years later, he was diagnosed with Type 2 diabetes. In 2022, a GoFundMe was launched on behalf of the writer, who suffered a series of strokes, kidney failure, and a mild heart attack. On May 20, 2025, his wife Kathleen relaunched the GoFundMe, reporting that David had been in recovery for three years, “but Medicaid, which had been taking care of his Long Term Disability, has just dropped him.”

David is survived by his wife, Kathleen, and four children.



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InShaneee
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Authors Are Accidentally Leaving AI Prompts In their Novels

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Falcom Manga

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Falcom was a hot computer and video publisher back in the 1980s and early 1990s, with many of its games getting manga adaptations. Here is a look at a handful of them.

Xanadu

The original Xanadu doesn’t have much of a story beyond the same type you’d find in most 80s CRPGs – explore dungeons, beat up enemies, get stronger, and look for a powerful sword. This obviously wasn’t enough for a manga, so in-house Falcom artist Kazuhiko Tsuzuki created his own. Melding elements of fantasy and sci-fi, the main character is Fieg, a soldier from the near-future who’s zapped into the world of Xanadu, where he becomes embroiled in a magical war. He teams up with the beautiful warrior princess Rieru to fight the evil Reichswar. The fabled Dragon Slayer sword is referenced, and a few of the enemies from the game appear, but otherwise there is no real relation to the game. Nonetheless, Falcom used the manga cover art for certain ports of the Xanadu game. This was also adapted into an anime OVA in 1988, which never officially left Japan.

The title of the manga refers to it as “Xanadu 1”, implying there would be more volumes, but only the first one came out. According to a tweet by Tsuzuki, since he created the manga while he was a salaried employee, he wasn’t entitled to any royalties nor any ownership, so it was canceled after this first volume.

Romancia

Unlike Xanadu, Romancia actually has characters and a simple story, starring prince Fan Freddie as he saves a neighboring kingdom from monsters and rescues the princess Selina. However, the manga still goes its own direction, in a unique way – rather than focusing on Fan Freddie, as in the game, it instead stars Selina, who’s been upgraded from “kidnapped maiden” to “warrior princess”. This was written by Kenji Terada, an extremely prolific writer across many mediums, who wrote the scenarios for the first three Final Fantasy games as well as the Sega CD SRPG Dark Wizard, among many others. It was illustrated by Hidetomo Tsubura, who also worked on the El Hazard manga. It was also adapted into a drama CD.

Sorcerian

Sorcerian only has a barely overarching story, and instead focuses on mini-scenarios starring player created characters. For its manga adaptations, each scenario was adapted by different authors, giving each a unique style. Pictured here are The Curse of Medusa by Yuusaku Toyoshima and The Gods in the Heavens by Joji Manabe.

Yuusake Toyoshima was famous among the 1980s doujin scene for his anthro art, though none of them appears in his Sorcerian manga. Joji Manabe is most known about Westerners for the manga Outlanders, as well as other fantasy works like Drakuun, Caravan Kid, and Capricorn. As of 2025, he’s been working on Rise of the Outlaw Tamer and His Wild S-Rank Cat Girl.

Popful Mail

Rather than a video game sequel, Popful Mail received a follow-up in a series of drama CDs released by King Records. These feature Megumi Hayashibara in the title role, which she also played in the Mega CD version. A manga was serialized in Monthly Dengeki Comic Gao and compiled into a single volume. Written and illustrated by Yu Aizaki, these continue along the same line as the drama CDs, with plenty of characters that were only in the drama CDs.

Ys

The Ys comic series began in 1989, written and illustrated by Show Hagoromo. He didn’t know much of anything about the game, so he took the basic concept and its characters, and created his own fantasy story, resulting in something wildly different from the games it’s purportedly based on. For starters, Adol finds Feena washed up on a shore, and the two join together to hunt for the books of Ys. Plenty of characters have changed from the game like the old woman Jeva, who is now an attractive younger girl, and Reah now has blond hair instead of matching her twin sister’s blue.  There are also plenty of new characters like Maria, a warrior girl from Rance village. Despite not being all that faithful, it was a relatively popular series that originated in Kadokawa Shoten’s Monthly Comptiq magazine (which covered video games, anime, and pretty anime girls) and was compiled into seven volumes.

Hagoromo also did one of the Sorcerian volumes titled The Dark Mage. The characters for these later appeared in the Ys manga, making for a not-entirely-official crossover between Falcom’s series. The character’s adventures continued in another story, The Amazon’s Sword, which is included in the seventh and last volume of the Ys manga. The Dark Mage manga has also been released digitally without the Sorcerian branding.

Ys: Mask of the Sun

Illustrated by Hitoshi Okuda (the Tenchi Muyo manga), this is an adaptation of the Super Famicom version Ys IV. The cover credits Kenichi Itoi of Micro Cabin for the story, who was the developer of the game, indicating that this was staying more faithful to its plot compared to Hagoromo’s manga. Obviously the story had to be altered a bit to fit into a single manga volume. There was also an adaptation of Ys V by Akiko Ikegami.

Beyond these, there’s also another Ys manga adaptation by Hidenori Maeda. I haven’t been able to get any copies of these, but all sources point to this also being a much more faithful adaptation of the original two games than Hagoromo’s work.


Falcom Manga was first posted on May 23, 2025 at 10:10 am.
©2017 "Hardcore Gaming 101". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at kurt@hardcoregaming101.net
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Business Owners Are Using AI-Generated 'Concerned Residents' To Fight Proposed Bus Line In Toronto

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A group of Bathurst Street business owners in Toronto is using AI-generated personas to oppose a proposed bus lane project that would eliminate parking spaces in favor of faster transit. "This may be the first Toronto transit controversy involving angry AI, but tensions have been simmering between drivers and, well, everyone else for some time," reports Toronto Life. Critics argue that better transit is essential for a livable city, while opponents claim the change threatens small businesses and accessibility. From the report: A group of Bathurst business owners are bent out of shape over a recent proposal for priority transit lanes between Eglinton Avenue and Lake Shore Boulevard, part of the city's new RapidTO program. According to the city, the transit lanes would shave up to 7 minutes off some trips during peak commuting hours. It's good news for anyone who has ever cursed the TTC while waiting to catch a bus in inclement weather. Of course, the added convenience for transit commuters would come at a slight cost for drivers, requiring the removal of at least 138 paid street parking spaces to make way for the new lanes. Opposition to the development has sprung up under the banner of Protect Bathurst, a group of hopping mad local business owners claiming that the lack of street parking will make shopping a nightmare for car-bound customers and will cause problems for people with mobility issues. Notably, Protect Bathurst has no spokesperson or contact info listed on its website. The page is registered to a food marketing consultant employed by Summerhill Market and looks eerily similar to Protect Dufferin, another group of "concerned residents" advocating for the same cause. But this cookie-cutter approach goes even further: author and urbanist Shawn Micallef has found that the people speaking out in the group's allegedly grassroots videos appear to be AI-generated. Brad McMullen, the president of Summerhill Market, which opened an outpost on Bathurst in 2019, says he doesn't know anything about the campaign's use of AI. He says he isn't necessarily opposed to the new bus lanes but believes that three weeks' notice from the city is not enough time for his business to adapt. "We purchased and invested in this location because of the available street parking, and then we figured out the loading situation, which happens on the street," he says. "I don't think Summerhill Market would work here with these bus lanes."

Read more of this story at Slashdot.

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Politico staff gear up for legal battle with management over AI

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Politico‘s reporters are preparing to take the battle over AI in the newsroom to court. Wired reports that members of the PEN Guild—the union that represents Politico and its sister site, E&E News—allege that Politico‘s management violated their collective bargaining contract by rolling out AI tools on the site without the union’s knowledge. Per a contract ratified last year, “The company is required to give us 60 days notice of any use of new technology that will materially and substantively impact bargaining unit job duties,” PEN union chair and E&E public health reporter Ariel Wittenberg shared. Now, the guild claims that Politico management introduced AI without giving the union either notice or the chance to bargain in good faith. It also claims that the tools take work away from the site’s human staff.

Politico began its AI rollout last year with a tool that publishes technologically generated live summaries during major events like the DNC and vice presidential debates. This March, it also introduced a feature called Policy Intelligence Assistant that purports to “revolutionize how subscribers engage with policy intelligence.” The catch is that it’s often wrong, Politico staffers claim. During the vice presidential debate, for example, the tool not only inserted phrases that human reporters aren’t allowed to use (like “criminal migrants”) into its summary, but also credited Kamala Harris with actions that should have been attributed to President Joe Biden. Staffers also allege other inaccuracies, such as the Policy Assistant providing a report in 2025 that was written as if Roe v. Wade hadn’t been overturned. 

“At Politico, you can’t just wholly take down articles written by human reporters without going through a series of approvals, all the way up to newsroom leadership. That did not happen for the AI live summaries,” Wittenberg said. “We’re not against AI, but it should be held to the same ethical and style standards as our political journalists,” added Arianna Skibell, the union’s vice chair for contract enforcement and writer of Politico’s energy industry newsletter.

Heather Riley, a Polico spokesperson, told Wired that the publication “takes the obligations under its collective bargaining agreement seriously,” and “will continue to honor those obligations while also rapidly embracing transformative technologies such as AI that will revolutionize how our audience consumes news and information.”

Politico certainly isn’t the first newsroom to incorporate the controversial technology into its site, but Wired notes that if this conflict escalates, it would be the first dispute of its kind in the digital media space. Unions in other industries, such as SAG-AFTRA and the WGA, have already gone toe-to-toe with employers over the use of AI, with SAG-AFTRA filing an unfair labor practice against Fortnite for using AI to digitally recreate James Earl Jones’ Darth Vader voice earlier this week. 

Jon Schleuss, the president of Newsguild (which oversees PEN Guild), knows how monumental this argument is. “This isn’t just a contract dispute, it’s a test of whether journalists have a say in how AI is used in our work,” he said. “With no federal rules in place, union contracts remain one of the only enforceable frameworks for AI accountability on a national scale.” “We do remain hopeful that we can come to some kind of agreement,” Skibell added. “But we’re also ready for a fight.”



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